Tait talking about her Colour Poems series (1974), which she wanted to make "as still as possible", and about her memories of reports of the Spanish Civil War. Extract from Numen of the Boughs, one of the Colour Poems. Tait talking about the film. Aerial (1974). Tait and Krikorian talking about her subject matter. Extract from Landmakar (1981). Tait asks Krikorian if she understood the dialogue in the film. The latter says she feels that looking at the images is more important. Tait suggests that her films "live" if they are seen and responded to. Another extract from Landmakar. Credits
Newsfilm of the Blitz and its aftermath. Agar talks of visiting the Canary Islands with Bard. The ...
Photograph of Maya Deren. Hella Hammid describing Deren as "the first avant-garde film-maker after ...
October 18, Margarethe von Trotta spoke at Columbia College Chicago. A director, writer, and actres...
Margaret Tait being interviewed (by Tamara Krikorian) about her career. She trained at the Centro S...
Margaret Tait being interviewed (by Tamara Krikorian) about her career. She trained at the Centro S...
Part of a brochure for a "film portrait". Tait talking about her "portrait" of Hugh MacDiarmid. Ex...
Margaret Tait (1918-1999) was a pioneering filmmaker for whom words and images made the world real. ...
And Under That is a moving image work, presented in the group exhibition Stalking the Image: Margare...
In this paper I discuss a small amount of the work of Margaret Tait. The Introduction offers a perso...
Margaret Tait - filmmaker, poet, painter, and short story writer - has frequently been cited as a tr...
Margaret Tait – filmmaker, photographer, poet, painter, essayist and short story writer – is one of ...
This essay explores the interplay of Julia Kristeva's concepts of semiotic and symbolic in the Orcad...
First paragraph: Margaret Tait's artistic concern with the detail of the everyday shares much with g...
Annabel Nicolson talking about her film-making in which she works directly with the film itself, sti...
Two Scottish women film-makers, Jenny Gilbertson and Margaret Tait both encounter walking within 20t...
Newsfilm of the Blitz and its aftermath. Agar talks of visiting the Canary Islands with Bard. The ...
Photograph of Maya Deren. Hella Hammid describing Deren as "the first avant-garde film-maker after ...
October 18, Margarethe von Trotta spoke at Columbia College Chicago. A director, writer, and actres...
Margaret Tait being interviewed (by Tamara Krikorian) about her career. She trained at the Centro S...
Margaret Tait being interviewed (by Tamara Krikorian) about her career. She trained at the Centro S...
Part of a brochure for a "film portrait". Tait talking about her "portrait" of Hugh MacDiarmid. Ex...
Margaret Tait (1918-1999) was a pioneering filmmaker for whom words and images made the world real. ...
And Under That is a moving image work, presented in the group exhibition Stalking the Image: Margare...
In this paper I discuss a small amount of the work of Margaret Tait. The Introduction offers a perso...
Margaret Tait - filmmaker, poet, painter, and short story writer - has frequently been cited as a tr...
Margaret Tait – filmmaker, photographer, poet, painter, essayist and short story writer – is one of ...
This essay explores the interplay of Julia Kristeva's concepts of semiotic and symbolic in the Orcad...
First paragraph: Margaret Tait's artistic concern with the detail of the everyday shares much with g...
Annabel Nicolson talking about her film-making in which she works directly with the film itself, sti...
Two Scottish women film-makers, Jenny Gilbertson and Margaret Tait both encounter walking within 20t...
Newsfilm of the Blitz and its aftermath. Agar talks of visiting the Canary Islands with Bard. The ...
Photograph of Maya Deren. Hella Hammid describing Deren as "the first avant-garde film-maker after ...
October 18, Margarethe von Trotta spoke at Columbia College Chicago. A director, writer, and actres...