Add to ORKGDavis with photographs she took in preparation for her film Often During the Day (1979). Talks about finishing the film at the same time as she was looking after her new baby. Excerpts from the film. VOs of Davis and Rhodes. Davis and Rhodes reading texts to do with women and employment, and with the consequences of the 1850 Act of Parliament which decreed that masculine words in legislation should be taken to include females. Rhodes talking about women’s writing; excerpt from her films Light Reading (1978), and Pictures on Pink Paper (1982)
Experimental cinema, as well as experimental video practices, have always been art forms in which wo...
“Women Who Like to Watch: 20th Century American Cinepoetry” addresses the intersection of gender wit...
Women’s films centralized women during an era which lauded “the forgotten man.” The films depicted ...
Caption: "There is nothing connected with the staging of a motion picture that a woman cannot do as ...
Annabel Nicolson talking about her film-making in which she works directly with the film itself, sti...
Caption taken from 1980 United National report: women are 50% of the world’s population; women do 7...
Caption: "There is nothing connected with the staging of a motion picture that a woman cannot do as ...
Kitchen scenes. Voices of Circles’s founders, Davis, Tina Keane, Annabel Nicolson, Lis Rhodes, Spar...
How They Saw Us: Images of Women in the National Film Board Films of the 1940s and 1950
abstract: In the Film and Media industries, it seems like it is completely male dominated both on an...
Women's marginalization in the British feature film industry is well documented: gender discriminati...
“Experimental cinema, video art, and new media art have always been fields in which the presence of ...
The images of women in films show how films view women and their relationship with men. So often, th...
Color photograph of film reviewer and coordinator Sharon Swensen, addressing the forum concerning th...
Women have historically played a significant role in shaping media output, both as producers or cont...
Experimental cinema, as well as experimental video practices, have always been art forms in which wo...
“Women Who Like to Watch: 20th Century American Cinepoetry” addresses the intersection of gender wit...
Women’s films centralized women during an era which lauded “the forgotten man.” The films depicted ...
Caption: "There is nothing connected with the staging of a motion picture that a woman cannot do as ...
Annabel Nicolson talking about her film-making in which she works directly with the film itself, sti...
Caption taken from 1980 United National report: women are 50% of the world’s population; women do 7...
Caption: "There is nothing connected with the staging of a motion picture that a woman cannot do as ...
Kitchen scenes. Voices of Circles’s founders, Davis, Tina Keane, Annabel Nicolson, Lis Rhodes, Spar...
How They Saw Us: Images of Women in the National Film Board Films of the 1940s and 1950
abstract: In the Film and Media industries, it seems like it is completely male dominated both on an...
Women's marginalization in the British feature film industry is well documented: gender discriminati...
“Experimental cinema, video art, and new media art have always been fields in which the presence of ...
The images of women in films show how films view women and their relationship with men. So often, th...
Color photograph of film reviewer and coordinator Sharon Swensen, addressing the forum concerning th...
Women have historically played a significant role in shaping media output, both as producers or cont...
Experimental cinema, as well as experimental video practices, have always been art forms in which wo...
“Women Who Like to Watch: 20th Century American Cinepoetry” addresses the intersection of gender wit...
Women’s films centralized women during an era which lauded “the forgotten man.” The films depicted ...