Mussolini in motorcade. Enrico Crispolti, art historian, on the political Futurist party. Footage of street fighting and prop-Fascist demonstrations. Rome. Crispolti says that Fascism later rejected Futurist support. Marinetti moved to Rome. Poster for his Zang Tumb Tumb. Loudspeakers. Words heard over film of building sites with men and machines, hydro-electrical stations. The Mostra della Rivoluzione Fascista (Exhibition of the Fascist Revolution) (Rome, 1932), Futurist in style but without Futurist participation. Luce Marinetti comments on her father’s continuing struggle. Photographic portrait of Marinetti by Tato (Guglielmo Sansoni). Photograph of Futurists. Marinetti Sun (1920) and Marinetti Sun monochrome version (1914...
El 20 de Febrero de 1909 aparece en primera página en Le Figaro, como anuncio pagado, el aut&...
Le futurisme aurait pu n’être qu’une école littéraire parmi les autres, fort nombreuses au début du ...
From the 1900s to the 1930s Marinetti’s attitude towards d’Annunzio gradually changed from blame to ...
Tango dancers on railway station; black and white footage of train wheels. Dancers and train piston...
Maurizio Calvesi, art critic, saying how Marinetti’s manifesto listed all manner of early twentieth ...
Excerpt from Amor Pedestre / Love Afoot or Pedestrian Love, a 1914 film by Marcel Fabre, here accomp...
At the dawn of the twentieth century, an era of effervescence started in Europe, breaking normative ...
This publication focuses its attention on the second historical phase of futurism, aiming at underst...
In portraits of Italian futurist founder and poet Filippo-Tommaso Marinetti, the staging of the reve...
The brash poet, Filippo Tommaso Marinetti {1876-1944) first announced the Futurist movement in his M...
This study analyses selected aspects of the Italian Futurist movement’s political agenda, its invol...
This study deals with the works of F. T. Marinetti between 1898 and 1938, giving special emphasis to...
Venice. VO Massimo Carrà, son of Cubist Carlo Carrà. Carrà on how the Futurists turned out to share...
This research explores the history of the Futurist Group (led by Filippo Tommaso Marinetti) and its ...
The 1940s are undoubtedly the years most neglected by scholars of Italian Futurism. The movement had...
El 20 de Febrero de 1909 aparece en primera página en Le Figaro, como anuncio pagado, el aut&...
Le futurisme aurait pu n’être qu’une école littéraire parmi les autres, fort nombreuses au début du ...
From the 1900s to the 1930s Marinetti’s attitude towards d’Annunzio gradually changed from blame to ...
Tango dancers on railway station; black and white footage of train wheels. Dancers and train piston...
Maurizio Calvesi, art critic, saying how Marinetti’s manifesto listed all manner of early twentieth ...
Excerpt from Amor Pedestre / Love Afoot or Pedestrian Love, a 1914 film by Marcel Fabre, here accomp...
At the dawn of the twentieth century, an era of effervescence started in Europe, breaking normative ...
This publication focuses its attention on the second historical phase of futurism, aiming at underst...
In portraits of Italian futurist founder and poet Filippo-Tommaso Marinetti, the staging of the reve...
The brash poet, Filippo Tommaso Marinetti {1876-1944) first announced the Futurist movement in his M...
This study analyses selected aspects of the Italian Futurist movement’s political agenda, its invol...
This study deals with the works of F. T. Marinetti between 1898 and 1938, giving special emphasis to...
Venice. VO Massimo Carrà, son of Cubist Carlo Carrà. Carrà on how the Futurists turned out to share...
This research explores the history of the Futurist Group (led by Filippo Tommaso Marinetti) and its ...
The 1940s are undoubtedly the years most neglected by scholars of Italian Futurism. The movement had...
El 20 de Febrero de 1909 aparece en primera página en Le Figaro, como anuncio pagado, el aut&...
Le futurisme aurait pu n’être qu’une école littéraire parmi les autres, fort nombreuses au début du ...
From the 1900s to the 1930s Marinetti’s attitude towards d’Annunzio gradually changed from blame to ...