Bryars talking about works which grew out of Civil Wars and Medéa, such as Allegrasco. Allegrasco played Musicians include Bryars on bass. Bryars VO on the influence of Busoni. Caption: "Allegrasco 1983-86. Gavin Bryars Ensemble." Music continues. Bryars on his writing for "squeaky door" musicians. The Arditti Quartet playing Bryars’s String Quarter No.1. Bryars says this piece was written for them to play in Vienna on their normal instruments, and then on Raad instruments which offer, for example, particularly bright harmonics, different tonal possibilities, etc. Music continues. Bryars talks about his original idea for this work, having each player representing a different composer and playing a piece which reconciles their appa...
Includes recorded audio files in WAV and MP3 formats, 76:61 in lengthThe instrumentation for Johann ...
The audio examples are taken from the Kreutzer Quartet’s rehearsal of Finnissy’s Second String Quart...
Many Roads to Artistic Playing (interview with Alexander Siloti) Realizing Your Musical Ideals Recor...
Ensemble playing on revolving stage. Curtain call for Gavin Bryars’s first opera at its premiere in...
Leicester Polytechnic’s Scraptoft Campus. Bryars with class, explaining different ways of altering ...
Ensemble playing on revolving stage. Curtain call for Gavin Bryars’s first opera at its premiere in...
RILM abstract: The basset horn came into being around 1788. Mozart used it for his concerto K.622 a...
Henry PurcellMichael PraetoriusTurlough O'CarolanBryan JohansonMario Castelnuovo-TedescoJohann Sebas...
Details: The work has received five performances by three quartets: Quatuor Diotima (June in Buffal...
Passacaglia for Violin and Viola, George Frideric Handel (1685-1759) -- Duo for Violin and Viola, K....
“Assemblages II for Viola and String Orchestra” is a little story of everyday life. A few minor com...
The Harmoniemusik tradition has provided the wind chamber repertoire with a tremendous wealth of lit...
Caption title. --- Benjamin Franklin is the supposed composer. --- The scordatura permits the work t...
This document explores the relationship between Dan Coleman’s Quartetto ricercare, Beethoven’s Strin...
Joaquin RodrigoCarlo DomeniconiLeo Brouwer, arr. Tony ItaliaTony ItaliaSerkan Yilma
Includes recorded audio files in WAV and MP3 formats, 76:61 in lengthThe instrumentation for Johann ...
The audio examples are taken from the Kreutzer Quartet’s rehearsal of Finnissy’s Second String Quart...
Many Roads to Artistic Playing (interview with Alexander Siloti) Realizing Your Musical Ideals Recor...
Ensemble playing on revolving stage. Curtain call for Gavin Bryars’s first opera at its premiere in...
Leicester Polytechnic’s Scraptoft Campus. Bryars with class, explaining different ways of altering ...
Ensemble playing on revolving stage. Curtain call for Gavin Bryars’s first opera at its premiere in...
RILM abstract: The basset horn came into being around 1788. Mozart used it for his concerto K.622 a...
Henry PurcellMichael PraetoriusTurlough O'CarolanBryan JohansonMario Castelnuovo-TedescoJohann Sebas...
Details: The work has received five performances by three quartets: Quatuor Diotima (June in Buffal...
Passacaglia for Violin and Viola, George Frideric Handel (1685-1759) -- Duo for Violin and Viola, K....
“Assemblages II for Viola and String Orchestra” is a little story of everyday life. A few minor com...
The Harmoniemusik tradition has provided the wind chamber repertoire with a tremendous wealth of lit...
Caption title. --- Benjamin Franklin is the supposed composer. --- The scordatura permits the work t...
This document explores the relationship between Dan Coleman’s Quartetto ricercare, Beethoven’s Strin...
Joaquin RodrigoCarlo DomeniconiLeo Brouwer, arr. Tony ItaliaTony ItaliaSerkan Yilma
Includes recorded audio files in WAV and MP3 formats, 76:61 in lengthThe instrumentation for Johann ...
The audio examples are taken from the Kreutzer Quartet’s rehearsal of Finnissy’s Second String Quart...
Many Roads to Artistic Playing (interview with Alexander Siloti) Realizing Your Musical Ideals Recor...