Richard Kendall posing nude model in copy of a Degas painting (in a reconstruction of his studio) for students to copy. Howard Hodgkin, Kendall, and Paula Rego discussing a Degas self-portrait. Model of Degas’s studio. Kendall leafing through a book of Degas’s paintings, shows a reproduction of the painting of the Nude Woman Standing, Drying Herself (1851-1852) (being posed above) which he says was a discovery for him. Views of Montmartre, photograph of Degas. Kendall in Paris. Photographs of Montmartre in the later 19th century. The Place Pigalle. The Moulin Rouge and Place Pigalle today. Sketches of naked women by Degas
Edgar Degas’ paintings of people in personal, everyday moments are images that have resonated throug...
Intimacy and exclusion: Degas's illustrations for Ludovic Halevy's La Famille Cardina
In the late nineteenth century, a debate ensued related to the legitimacy of photography as an artis...
Richard Kendall posing nude model in copy of a Degas painting (in a reconstruction of his studio) fo...
The studio and Degas’s wax statuettes. Kendall posing a model to imitate the pose of a wax statuett...
Kendall believes Degas looked on reproducing the human body in a new and different way as a challeng...
Photograph of elderly Degas. Before the Start at the Horse Race (1885-1892), illustrating Degas’s d...
Kendall looking at pictures by Degas, not the usual Impressionist outdoor scenes, but L’Absinthe / I...
Includes bibliographical references (pages [107]-109)Degas’ manipulation and interpretation of the m...
Includes bibliographical references (pages [66]-67)The art of Edgar Degas (1834-1917) has long been ...
Degas applied pastel in so many successive layers that the pigment became burnished and the underlyi...
In this paper, Edgar Degas’ history paintings are read as the painter’s reflection on the irreconcil...
The first comprehensive assessment of Degas's legacy to be published in over two decades, Perspectiv...
The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a m...
Edgar Degas; 11 13/16 in. x 11 13/16 in.; graphite and charcoal heightened with paste
Edgar Degas’ paintings of people in personal, everyday moments are images that have resonated throug...
Intimacy and exclusion: Degas's illustrations for Ludovic Halevy's La Famille Cardina
In the late nineteenth century, a debate ensued related to the legitimacy of photography as an artis...
Richard Kendall posing nude model in copy of a Degas painting (in a reconstruction of his studio) fo...
The studio and Degas’s wax statuettes. Kendall posing a model to imitate the pose of a wax statuett...
Kendall believes Degas looked on reproducing the human body in a new and different way as a challeng...
Photograph of elderly Degas. Before the Start at the Horse Race (1885-1892), illustrating Degas’s d...
Kendall looking at pictures by Degas, not the usual Impressionist outdoor scenes, but L’Absinthe / I...
Includes bibliographical references (pages [107]-109)Degas’ manipulation and interpretation of the m...
Includes bibliographical references (pages [66]-67)The art of Edgar Degas (1834-1917) has long been ...
Degas applied pastel in so many successive layers that the pigment became burnished and the underlyi...
In this paper, Edgar Degas’ history paintings are read as the painter’s reflection on the irreconcil...
The first comprehensive assessment of Degas's legacy to be published in over two decades, Perspectiv...
The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a m...
Edgar Degas; 11 13/16 in. x 11 13/16 in.; graphite and charcoal heightened with paste
Edgar Degas’ paintings of people in personal, everyday moments are images that have resonated throug...
Intimacy and exclusion: Degas's illustrations for Ludovic Halevy's La Famille Cardina
In the late nineteenth century, a debate ensued related to the legitimacy of photography as an artis...