Kendall looking at pictures by Degas, not the usual Impressionist outdoor scenes, but L’Absinthe / In a Café (1876) sketches of jockeys, ballet dancers. Portrait of Pagans with Degas’s Father (c.1869). Four Self-Portraits at different ages. Kendall looking at book on Ingres; paintings by him. Ingres’s view was that line and form was much more important than colour. Another self-portrait (etching) by Degas who was much influenced by Ingres to "draw lines". Students at work on their drawings. Life drawings by Degas. Students working. Line in art represented organisation; colour stood for more sensuous aspects. Detail from Self Portrait with Evariste de Valernes (1816-96) (1865). The Millinery Shop (c.1884) with colour employed muc...
This painting reveals the attention Degas dedicated to the psychological subtleties in his genre sce...
The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a m...
In the late nineteenth century, a debate ensued related to the legitimacy of photography as an artis...
Photograph of elderly Degas. Before the Start at the Horse Race (1885-1892), illustrating Degas’s d...
Kendall believes Degas looked on reproducing the human body in a new and different way as a challeng...
Richard Kendall posing nude model in copy of a Degas painting (in a reconstruction of his studio) fo...
The studio and Degas’s wax statuettes. Kendall posing a model to imitate the pose of a wax statuett...
Richard Kendall posing nude model in copy of a Degas painting (in a reconstruction of his studio) fo...
Degas applied pastel in so many successive layers that the pigment became burnished and the underlyi...
Edgar Degas’ paintings of people in personal, everyday moments are images that have resonated throug...
Degas\u27 father was a prominent banker. His father and grandfather signed their names *De Gas*, as ...
Includes bibliographical references (pages [107]-109)Degas’ manipulation and interpretation of the m...
In this paper, Edgar Degas’ history paintings are read as the painter’s reflection on the irreconcil...
This painting reveals the attention Degas dedicated to the psychological subtleties in his genre sce...
Includes bibliographical references (pages [66]-67)The art of Edgar Degas (1834-1917) has long been ...
This painting reveals the attention Degas dedicated to the psychological subtleties in his genre sce...
The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a m...
In the late nineteenth century, a debate ensued related to the legitimacy of photography as an artis...
Photograph of elderly Degas. Before the Start at the Horse Race (1885-1892), illustrating Degas’s d...
Kendall believes Degas looked on reproducing the human body in a new and different way as a challeng...
Richard Kendall posing nude model in copy of a Degas painting (in a reconstruction of his studio) fo...
The studio and Degas’s wax statuettes. Kendall posing a model to imitate the pose of a wax statuett...
Richard Kendall posing nude model in copy of a Degas painting (in a reconstruction of his studio) fo...
Degas applied pastel in so many successive layers that the pigment became burnished and the underlyi...
Edgar Degas’ paintings of people in personal, everyday moments are images that have resonated throug...
Degas\u27 father was a prominent banker. His father and grandfather signed their names *De Gas*, as ...
Includes bibliographical references (pages [107]-109)Degas’ manipulation and interpretation of the m...
In this paper, Edgar Degas’ history paintings are read as the painter’s reflection on the irreconcil...
This painting reveals the attention Degas dedicated to the psychological subtleties in his genre sce...
Includes bibliographical references (pages [66]-67)The art of Edgar Degas (1834-1917) has long been ...
This painting reveals the attention Degas dedicated to the psychological subtleties in his genre sce...
The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a m...
In the late nineteenth century, a debate ensued related to the legitimacy of photography as an artis...