Kendall believes Degas looked on reproducing the human body in a new and different way as a challenge. He combined ideas from the past with a radical new use of colour and line. His paintings reduce the images to blocks of shape and colour. Various paintings of women including La Coiffure (1896) (bought by Matisse) and Nude Woman Standing, Drying Herself. Hodgkin talking about how figurative art is often approached, as reality. Says this painting is not reality but "a moment". He and Kendall discuss the painting. Photographs of elderly Degas: in the street, with small child, in garden. Degas’s words read over. The reconstructed studio. Credits
Includes bibliographical references (pages [107]-109)Degas’ manipulation and interpretation of the m...
This thesis examines how the repetition of forms and figures in Edgar Degas’s artworks presents the ...
This painting reveals the attention Degas dedicated to the psychological subtleties in his genre sce...
Photograph of elderly Degas. Before the Start at the Horse Race (1885-1892), illustrating Degas’s d...
Richard Kendall posing nude model in copy of a Degas painting (in a reconstruction of his studio) fo...
Kendall looking at pictures by Degas, not the usual Impressionist outdoor scenes, but L’Absinthe / I...
Richard Kendall posing nude model in copy of a Degas painting (in a reconstruction of his studio) fo...
The studio and Degas’s wax statuettes. Kendall posing a model to imitate the pose of a wax statuett...
Degas applied pastel in so many successive layers that the pigment became burnished and the underlyi...
Edgar Degas’ paintings of people in personal, everyday moments are images that have resonated throug...
In this paper, Edgar Degas’ history paintings are read as the painter’s reflection on the irreconcil...
The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a m...
In the late nineteenth century, a debate ensued related to the legitimacy of photography as an artis...
Includes bibliographical references (pages [66]-67)The art of Edgar Degas (1834-1917) has long been ...
The first comprehensive assessment of Degas's legacy to be published in over two decades, Perspectiv...
Includes bibliographical references (pages [107]-109)Degas’ manipulation and interpretation of the m...
This thesis examines how the repetition of forms and figures in Edgar Degas’s artworks presents the ...
This painting reveals the attention Degas dedicated to the psychological subtleties in his genre sce...
Photograph of elderly Degas. Before the Start at the Horse Race (1885-1892), illustrating Degas’s d...
Richard Kendall posing nude model in copy of a Degas painting (in a reconstruction of his studio) fo...
Kendall looking at pictures by Degas, not the usual Impressionist outdoor scenes, but L’Absinthe / I...
Richard Kendall posing nude model in copy of a Degas painting (in a reconstruction of his studio) fo...
The studio and Degas’s wax statuettes. Kendall posing a model to imitate the pose of a wax statuett...
Degas applied pastel in so many successive layers that the pigment became burnished and the underlyi...
Edgar Degas’ paintings of people in personal, everyday moments are images that have resonated throug...
In this paper, Edgar Degas’ history paintings are read as the painter’s reflection on the irreconcil...
The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a m...
In the late nineteenth century, a debate ensued related to the legitimacy of photography as an artis...
Includes bibliographical references (pages [66]-67)The art of Edgar Degas (1834-1917) has long been ...
The first comprehensive assessment of Degas's legacy to be published in over two decades, Perspectiv...
Includes bibliographical references (pages [107]-109)Degas’ manipulation and interpretation of the m...
This thesis examines how the repetition of forms and figures in Edgar Degas’s artworks presents the ...
This painting reveals the attention Degas dedicated to the psychological subtleties in his genre sce...