Tai-Shan Schierenberg leaving his house. His VO from telephone call to Lord Hartington about what he’s going to wear for his portrait. Commentary describes Schierenberg as a portrait painter who paints his family and friends and also works to commission. Portraits of Sir John Clifford Mortimer (1992), Peter Alexander Rupert Carrington, 6th Baron Carrington (1994), H.M. The Queen & H.R.H. The Duke of Edinburgh. Schierenberg driving. Chatsworth. Portraits of previous Dukes of Devonshire. Schierenberg talking about the first interaction between artist and sitter. He arrives at Chatsworth, meets Lord Hartington, son of the present Duke, and unpacks his equipment. They discuss what Hartington will wear; he changes into a suit while Schi...
In the early 1660s Samuel Pepys discovered that commissioning portraits could be an enjoyable and hi...
The article examines Daniel Mytens’s portrait of Thomas Howard, Earl of Arundel, and the pendant por...
NATIONAL PORTRAIT GALLERY OF ILLUSTRIOUS AND EMINENT PERSONAGES OF THE 19. CENTURY, WITH MEMOIRS BY ...
Tai-Shan Schierenberg leaving his house. His VO from telephone call to Lord Hartington about what h...
Schierenberg in his studio, talking about finishing the portrait. Scrapes off the face and starts a...
Portraits. Commentary points out that painters didn’t always tailor poses to the individual. Reco...
Row of postcard reproductions of Hogarth paintings (landscapes, family groups, portraits, self-portr...
John VO: Paintings from France, Spanish Landscape with Mountains, (c.1924), around Yegen. 1924. Il...
In an unusually popular and readable dialogue form, Schlosser alludes to the classical education he ...
Throughout the years the purpose of the portrait, along with it’s story, has changed considerably. ...
Introduced in French Salons as a parlor game, the literary portrait appears in mid Seventeenth-Centu...
textA scholarly cliché has it that the modern art of portraiture was born in the Renaissance, but s...
Engraved portrait of Anthony Sherley [Shirley], [known as Sir Anthony Sherley], Count Sherley in the...
Thomas Gainsborough, John Campbell, 4th Duke of Argyll, about 1693 - 1770. Soldier, 1767, Edinburgh,...
Gregory Martin in the Banqueting Hall, Whitehall, London. Self Portrait by Peter Paul Rubens (1623)...
In the early 1660s Samuel Pepys discovered that commissioning portraits could be an enjoyable and hi...
The article examines Daniel Mytens’s portrait of Thomas Howard, Earl of Arundel, and the pendant por...
NATIONAL PORTRAIT GALLERY OF ILLUSTRIOUS AND EMINENT PERSONAGES OF THE 19. CENTURY, WITH MEMOIRS BY ...
Tai-Shan Schierenberg leaving his house. His VO from telephone call to Lord Hartington about what h...
Schierenberg in his studio, talking about finishing the portrait. Scrapes off the face and starts a...
Portraits. Commentary points out that painters didn’t always tailor poses to the individual. Reco...
Row of postcard reproductions of Hogarth paintings (landscapes, family groups, portraits, self-portr...
John VO: Paintings from France, Spanish Landscape with Mountains, (c.1924), around Yegen. 1924. Il...
In an unusually popular and readable dialogue form, Schlosser alludes to the classical education he ...
Throughout the years the purpose of the portrait, along with it’s story, has changed considerably. ...
Introduced in French Salons as a parlor game, the literary portrait appears in mid Seventeenth-Centu...
textA scholarly cliché has it that the modern art of portraiture was born in the Renaissance, but s...
Engraved portrait of Anthony Sherley [Shirley], [known as Sir Anthony Sherley], Count Sherley in the...
Thomas Gainsborough, John Campbell, 4th Duke of Argyll, about 1693 - 1770. Soldier, 1767, Edinburgh,...
Gregory Martin in the Banqueting Hall, Whitehall, London. Self Portrait by Peter Paul Rubens (1623)...
In the early 1660s Samuel Pepys discovered that commissioning portraits could be an enjoyable and hi...
The article examines Daniel Mytens’s portrait of Thomas Howard, Earl of Arundel, and the pendant por...
NATIONAL PORTRAIT GALLERY OF ILLUSTRIOUS AND EMINENT PERSONAGES OF THE 19. CENTURY, WITH MEMOIRS BY ...