Figueroa on V S Naipaul, on cross-cultural problems, and on the ignorance of the British as regards Caribbean writing at the time. Traffic in fog. VO of Samuel Selvon reading from The Lonely Londoners (1956). Selvon reading. He talks about the book which he says accurately describes his own experiences or those of his close friends. Lamming on The Lonely Londoners and other writing, saying that the central preoccupation of such work is less to do with Britain than with exploring the unique experience of the Caribbean. Kamau Brathwaite says Caribbean man is "a quester", with "both root and outreach", but there is not enough connection between what’s happening in the Caribbean and what’s going on in Britain. Lamming on the West Indian ...
textAlthough a number of critics have analyzed nineteenth and twentieth century British authors’ po...
Lamming reading from The Honorable Member (1981) at the Caribbean Writers’ Conference, Commonwealth ...
[First paragraph] Caribbean Art. VEERLE POUPEYE. London: Thames and Hudson, 1998. 224 pp. (Pape...
Map showing islands in the Caribbean. Commentary talks about the results of colonisation on the ind...
Map showing islands in the Caribbean. Commentary talks about the results of colonisation on the ind...
Johnson says he and people like him are fortunate to have two languages, the European one and the on...
When I left Trinidad in 1950 I had been working as a journalist with the Tri11idad Guardian for five...
Caption: "Part Three. Language & Orality." Street demonstration. Commentary talks about Selvon’s s...
Caribbean migration to Britain brought many new things - new musics, new foods, new styles. It broug...
This thesis examines the position of V.S. Naipaul within the intellectual history of the postcolonia...
Caribbean migration to Britain brought many new things - new musics, new foods, new styles. It broug...
This study is centrally concerned with the practice of reading Caribbean writing, and the representa...
The Caribbean Artists Movement (CAM) was formed in London in late 1966 by practising writers, artist...
Although a sense of the need to migrate clearly affected early writers born in the Caribbean such as...
For different reasons, both \u27New Literatures\u27 and \u27The Caribbean\u27 are not self-evident t...
textAlthough a number of critics have analyzed nineteenth and twentieth century British authors’ po...
Lamming reading from The Honorable Member (1981) at the Caribbean Writers’ Conference, Commonwealth ...
[First paragraph] Caribbean Art. VEERLE POUPEYE. London: Thames and Hudson, 1998. 224 pp. (Pape...
Map showing islands in the Caribbean. Commentary talks about the results of colonisation on the ind...
Map showing islands in the Caribbean. Commentary talks about the results of colonisation on the ind...
Johnson says he and people like him are fortunate to have two languages, the European one and the on...
When I left Trinidad in 1950 I had been working as a journalist with the Tri11idad Guardian for five...
Caption: "Part Three. Language & Orality." Street demonstration. Commentary talks about Selvon’s s...
Caribbean migration to Britain brought many new things - new musics, new foods, new styles. It broug...
This thesis examines the position of V.S. Naipaul within the intellectual history of the postcolonia...
Caribbean migration to Britain brought many new things - new musics, new foods, new styles. It broug...
This study is centrally concerned with the practice of reading Caribbean writing, and the representa...
The Caribbean Artists Movement (CAM) was formed in London in late 1966 by practising writers, artist...
Although a sense of the need to migrate clearly affected early writers born in the Caribbean such as...
For different reasons, both \u27New Literatures\u27 and \u27The Caribbean\u27 are not self-evident t...
textAlthough a number of critics have analyzed nineteenth and twentieth century British authors’ po...
Lamming reading from The Honorable Member (1981) at the Caribbean Writers’ Conference, Commonwealth ...
[First paragraph] Caribbean Art. VEERLE POUPEYE. London: Thames and Hudson, 1998. 224 pp. (Pape...