Edward Allington sawing and carving block of expanded polystyrene. He says he thinks this "tomato" piece is going to be called That Most Fabulous Wound. He says it started off with the open shell form and the tomatoes followed. He’s still thinking about it; he had originally intended it as a follow up to the fish piece but tomatoes took over from fish. He says it has obvious sexual connotations and is the colour of blood but also has literary sources, the idea of the death of the hero. He thinks that all his work has these dense, but latent ideas, perhaps like Poussin. Allington says he can no longer deal with "classical materials" and pretend he’s using "some true material". Close-up view of details from sculptures. Interviewer is...