This collectively written essay in four parts makes an original contribution to crisis research by exploring how crisis narratives structure time and space, that is, the ways ‘crisis’ as a framework, concept, rhetoric, affective, and discursive structure forms or taps into specific chronotopes. In our hyper-interconnected times, the simultaneous experience of many transversal crises—past and present, global and local, chronic and short-lived—is particularly acute. This simultaneity and transversality of crises invite rigorous theorization, critical responses, and finding new languages to speak to this complexity. Through Bakhtin’s notion of the chronotope, we broach questions of crisis, time, and space, as experienced, imagined, and represe...
Crises are common and problematic features of contemporary politics. Thought as moments in time when...
History in Financial Times sheds light on the historiography of contemporary finance. But there is a...
This essay has three more or less discrete parts; that is, no firm linear argument is developed acro...
This collectively written essay in four parts makes an original contribution to crisis research by e...
Crisis has no end. Or at least, it might seem like it, with the term ‘crisis’ qualifying all spheres...
Memory is key to understanding the temporal-spatial coordinates of producing ‘crisis’ and acting in ...
Alarming reports on crises are appearing and being published on a daily basis in different expressio...
Taking the recent omnipresence of crisis rhetoric around the Mediterranean as a starting point, the ...
Modernity is often understood as a time of crisis. Health, humanitarian, economic, and environmental...
In times of crisis, how do people conceptualise and communicate their experiences through different ...
The increasing recognition of critical disability studies as a generative body of work across discip...
The concept of crisis has become a staple in describing the current state of the social world. In th...
Crisis could be the descriptor of the era in which we live. Financial, health, climate and refugee c...
This article makes a theoretical contribution to the constructivist and cultural political economy l...
The current crisis started in the US in 2008 beginning with the popping of the subprime mortgage bub...
Crises are common and problematic features of contemporary politics. Thought as moments in time when...
History in Financial Times sheds light on the historiography of contemporary finance. But there is a...
This essay has three more or less discrete parts; that is, no firm linear argument is developed acro...
This collectively written essay in four parts makes an original contribution to crisis research by e...
Crisis has no end. Or at least, it might seem like it, with the term ‘crisis’ qualifying all spheres...
Memory is key to understanding the temporal-spatial coordinates of producing ‘crisis’ and acting in ...
Alarming reports on crises are appearing and being published on a daily basis in different expressio...
Taking the recent omnipresence of crisis rhetoric around the Mediterranean as a starting point, the ...
Modernity is often understood as a time of crisis. Health, humanitarian, economic, and environmental...
In times of crisis, how do people conceptualise and communicate their experiences through different ...
The increasing recognition of critical disability studies as a generative body of work across discip...
The concept of crisis has become a staple in describing the current state of the social world. In th...
Crisis could be the descriptor of the era in which we live. Financial, health, climate and refugee c...
This article makes a theoretical contribution to the constructivist and cultural political economy l...
The current crisis started in the US in 2008 beginning with the popping of the subprime mortgage bub...
Crises are common and problematic features of contemporary politics. Thought as moments in time when...
History in Financial Times sheds light on the historiography of contemporary finance. But there is a...
This essay has three more or less discrete parts; that is, no firm linear argument is developed acro...