This article takes the notion of rebelliousness as the starting point for an analysis of eighteenth-century Dutch political humor. In several recent publications from humor scholars, the rebellious image of political humor in today's world is questioned. This skepticism towards the idea of humor as a form of rebellion is connected to four sources of political humor that were published as part of the conflict between the reformist Patriots and the conservative Orangists, that took place in the Dutch Republic during the 1780s. It is shown that, comparable to the situation in contemporary political humor, the rebellious outlook of these sources is to a large extent a matter of rhetoric and convention. Their crossing of social and cultural boun...
Was it possible in the eighteenth-century Netherlands to ridicule a very serious thing such as the D...
This article aims to focus on one of the eighteenth-century satirical periodicals, called the Amste...
Printed pamphlets were the new media of the seventeenth century, comparable with the current interne...
This article takes the notion of rebelliousness as the starting point for an analysis of eighteenth-...
Item does not contain fulltextThis article takes the notion of rebelliousness as the starting point ...
This article takes the notion of rebelliousness as the starting point for an analysis of eighteenth-...
This article discusses the late eighteenth-century Dutch periodical Lanterne magique of toverlantaer...
This article discusses the rhetoric and function of seventeenth-century Dutch clandestine satire as ...
Countering the conventional view of satire as a literary mode or literary art form per se, this arti...
Countering the conventional view of satire as a literary mode or literary art form per se, this arti...
In the opening years of the Dutch Revolt, in the 1560s and early 1570s circulating oral humour was a...
Countering the conventional view of satire as a literary mode or literary art form per se, this arti...
British responses to the French Revolution are characterised by humorous expression in the literatur...
In The Netherlands the last decades of the 18th century were characterised by grave social and polit...
During the Orange 'revolution' of 1747-1749 Groningen stands out because of the violence of the dist...
Was it possible in the eighteenth-century Netherlands to ridicule a very serious thing such as the D...
This article aims to focus on one of the eighteenth-century satirical periodicals, called the Amste...
Printed pamphlets were the new media of the seventeenth century, comparable with the current interne...
This article takes the notion of rebelliousness as the starting point for an analysis of eighteenth-...
Item does not contain fulltextThis article takes the notion of rebelliousness as the starting point ...
This article takes the notion of rebelliousness as the starting point for an analysis of eighteenth-...
This article discusses the late eighteenth-century Dutch periodical Lanterne magique of toverlantaer...
This article discusses the rhetoric and function of seventeenth-century Dutch clandestine satire as ...
Countering the conventional view of satire as a literary mode or literary art form per se, this arti...
Countering the conventional view of satire as a literary mode or literary art form per se, this arti...
In the opening years of the Dutch Revolt, in the 1560s and early 1570s circulating oral humour was a...
Countering the conventional view of satire as a literary mode or literary art form per se, this arti...
British responses to the French Revolution are characterised by humorous expression in the literatur...
In The Netherlands the last decades of the 18th century were characterised by grave social and polit...
During the Orange 'revolution' of 1747-1749 Groningen stands out because of the violence of the dist...
Was it possible in the eighteenth-century Netherlands to ridicule a very serious thing such as the D...
This article aims to focus on one of the eighteenth-century satirical periodicals, called the Amste...
Printed pamphlets were the new media of the seventeenth century, comparable with the current interne...