Add to ORKGTo create a new understanding of the experience of techniques in art, Sensitizing the Viewer reframes the avant-gardes within the realm of powerful early and later cinema experiences. Sensitizing the Viewer was written in the wake of working on Ostrannenie which was published by Amsterdam University Press in 2010
One of the recent turns in the humanities and arts research is the switch from a focus on art as a s...
The notion of identification in visual media that require user participation is problematic. When im...
Through a rigorous development of art practice, this thesis investigates how artworks can affect an ...
To create a new understanding of the experience of techniques in art, Sensitizing the Viewer reframe...
In this conversation, Tom Gunning and Annie van den Oever return to Viktor Shklovsky’s notion of ost...
This chapter argues that Viktor Shklovsky’s key text “Art as Technique”, which revolves around the f...
At the beginning of the twentieth century, certain artists, writers, and philosophers became intrig...
Thesis (Ph. D.)--University of Rochester. Program in Visual and Cultural Studies, 2012.In the twenty...
Image reproduction has expanded our knowledge of the world’s great art collections, but the viewing ...
To create the conceptual space to analyze the evident and structural similarities between the art ex...
Looking at art is fun. Dutch art historian Henk van Os is well aware of this and for many years now ...
Russian Formalism’s foundational manifesto, Viktor Shklovsky’s “Artas Technique”, revolves around th...
Imagine opening the gates to a vault full of media apparatuses and letting loose thirty-two internat...
This thesis collects together technical, historical and neurological evidence to examine how our per...
When observing art the viewers understanding results from the interplay between the marks made on t...
One of the recent turns in the humanities and arts research is the switch from a focus on art as a s...
The notion of identification in visual media that require user participation is problematic. When im...
Through a rigorous development of art practice, this thesis investigates how artworks can affect an ...
To create a new understanding of the experience of techniques in art, Sensitizing the Viewer reframe...
In this conversation, Tom Gunning and Annie van den Oever return to Viktor Shklovsky’s notion of ost...
This chapter argues that Viktor Shklovsky’s key text “Art as Technique”, which revolves around the f...
At the beginning of the twentieth century, certain artists, writers, and philosophers became intrig...
Thesis (Ph. D.)--University of Rochester. Program in Visual and Cultural Studies, 2012.In the twenty...
Image reproduction has expanded our knowledge of the world’s great art collections, but the viewing ...
To create the conceptual space to analyze the evident and structural similarities between the art ex...
Looking at art is fun. Dutch art historian Henk van Os is well aware of this and for many years now ...
Russian Formalism’s foundational manifesto, Viktor Shklovsky’s “Artas Technique”, revolves around th...
Imagine opening the gates to a vault full of media apparatuses and letting loose thirty-two internat...
This thesis collects together technical, historical and neurological evidence to examine how our per...
When observing art the viewers understanding results from the interplay between the marks made on t...
One of the recent turns in the humanities and arts research is the switch from a focus on art as a s...
The notion of identification in visual media that require user participation is problematic. When im...
Through a rigorous development of art practice, this thesis investigates how artworks can affect an ...