textFemale stand-up comics occupy a permanently liminal space which can be broken down into three small areas, characterized thusly: the interpersonal, the sexual and the professional spheres. Issues of power, footing and the carnivalesque are threaded throughout these three spaces, and I use the work of Michel Foucault, Mikhail Bakhtin and Erving Goffman to examine the ways in which the female comics I talked, lived and performed with over a two-year period negotiate this permanent liminality to both their advantage and their detriment. The three liminal spaces overlap and intersect, with female comics occupying at times two, and sometimes all three, at any given moment, in a constantly forming and re-forming state of “otherness” that sepa...
Tina Fey’s Bossypants, Amy Poehler’s Yes Please, Lena Dunham’s Not that Kind of Girl, and Mindy Kali...
This thesis examines the dynamic of humour in contemporary feminisms, investigating social conventio...
I often hear the sentiment expressed – on television, in my writing classroom, among other spaces – ...
textFemale stand-up comics occupy a permanently liminal space which can be broken down into three sm...
ii This study examines the social worlds of standup comediennes. Data were collected through partici...
This introduction establishes the theme for a special issue of the journal Comedy Studies. Interroga...
Making jokes about women is a common pattern in contemporary male-dominated Kazakh comedy. Kazakh co...
The goal of this project was to produce a short documentary analyzing the intersection of women, com...
Following changes prompted by the alternative movement of the 1980s in the UK, the late 1990s and ea...
none2In the mid-seventies, both gender studies and humor studies emerged as new disciplines, with sc...
In the history of comedy in America, women standup comics have taken a backseat to their male counte...
This paper unpacks some of the complexities of the female comic project, focussing on the creation o...
This paper is based on the comedian Luisa Omielan’s latest touring show Politics for Bitches (2018)....
It seems like female stand-up comedy is more prevalent than ever with a succession of new female st...
Despite the long history of stand-up comedy as a distinct form of popular entertainment, there has b...
Tina Fey’s Bossypants, Amy Poehler’s Yes Please, Lena Dunham’s Not that Kind of Girl, and Mindy Kali...
This thesis examines the dynamic of humour in contemporary feminisms, investigating social conventio...
I often hear the sentiment expressed – on television, in my writing classroom, among other spaces – ...
textFemale stand-up comics occupy a permanently liminal space which can be broken down into three sm...
ii This study examines the social worlds of standup comediennes. Data were collected through partici...
This introduction establishes the theme for a special issue of the journal Comedy Studies. Interroga...
Making jokes about women is a common pattern in contemporary male-dominated Kazakh comedy. Kazakh co...
The goal of this project was to produce a short documentary analyzing the intersection of women, com...
Following changes prompted by the alternative movement of the 1980s in the UK, the late 1990s and ea...
none2In the mid-seventies, both gender studies and humor studies emerged as new disciplines, with sc...
In the history of comedy in America, women standup comics have taken a backseat to their male counte...
This paper unpacks some of the complexities of the female comic project, focussing on the creation o...
This paper is based on the comedian Luisa Omielan’s latest touring show Politics for Bitches (2018)....
It seems like female stand-up comedy is more prevalent than ever with a succession of new female st...
Despite the long history of stand-up comedy as a distinct form of popular entertainment, there has b...
Tina Fey’s Bossypants, Amy Poehler’s Yes Please, Lena Dunham’s Not that Kind of Girl, and Mindy Kali...
This thesis examines the dynamic of humour in contemporary feminisms, investigating social conventio...
I often hear the sentiment expressed – on television, in my writing classroom, among other spaces – ...