The three brothers, the Horatii, chosen by Rome to defy the champions of the town of Alba called the Curiaces, are taking an oath that they will win or die and are receiving swords from their father. Like Corneille in his tragedy Horace , David contrasts the stoic resolution of the warriors, underlined by strict geometry and strident colour, with the gentle line of the women which expresses their suffering. Painted in 1784 and shown in Paris the following year, this painting earned David a European reputation as uncontested leader of the Neoclassical movement.https://digitalcommons.usf.edu/saskia/3683/thumbnail.jp
Composition as a political symbol : David, Winckelmann and Carlo Fea. During the years 1770 to 178...
The iconographic theme of the ‘Meeting of Alexander the Great and the Family of Darius’ illustrates ...
Detail, left, Napoleon's sisters and brothers; Jacques Louis David was commissioned by Napoleon I to...
The three brothers, the Horatii, chosen by Rome to defy the champions of the town of Alba called the...
The three brothers, the Horatii, chosen by Rome to defy the champions of the town of Alba called the...
Detail, upper right, standards of the Roman army; David's painting depicts a legendary episode from ...
The choice of subject for a history painting, long considered motivated by dramatic considerations, ...
ABSTRACT Jacques-Louis David, according to traditional scholarship, painted the Oath of the Horatii ...
Between 1815 and 1819, from the fall of the Empire to the second Restoration, a number of caricature...
"Through his Brutus as through his Horatii, [Jacques-Louis] David talks to the people more directly ...
In the Paris Salon of 1789, Jacques-Louis David debuted The Lictors Bringing Brutus the Bodies of Hi...
Pierre Corneille wrote several pays in the spirit of consistent classicism. In his harash tragedy Ho...
"David had begun work on The Loves of Paris and Helen in 1786, and had originally intended to have i...
If the French Revolution had an official painter, it was Jacques-Louis David—although "official prop...
This article examines a work painted by David in Rome in 1779 when the artist was a pensioner of the...
Composition as a political symbol : David, Winckelmann and Carlo Fea. During the years 1770 to 178...
The iconographic theme of the ‘Meeting of Alexander the Great and the Family of Darius’ illustrates ...
Detail, left, Napoleon's sisters and brothers; Jacques Louis David was commissioned by Napoleon I to...
The three brothers, the Horatii, chosen by Rome to defy the champions of the town of Alba called the...
The three brothers, the Horatii, chosen by Rome to defy the champions of the town of Alba called the...
Detail, upper right, standards of the Roman army; David's painting depicts a legendary episode from ...
The choice of subject for a history painting, long considered motivated by dramatic considerations, ...
ABSTRACT Jacques-Louis David, according to traditional scholarship, painted the Oath of the Horatii ...
Between 1815 and 1819, from the fall of the Empire to the second Restoration, a number of caricature...
"Through his Brutus as through his Horatii, [Jacques-Louis] David talks to the people more directly ...
In the Paris Salon of 1789, Jacques-Louis David debuted The Lictors Bringing Brutus the Bodies of Hi...
Pierre Corneille wrote several pays in the spirit of consistent classicism. In his harash tragedy Ho...
"David had begun work on The Loves of Paris and Helen in 1786, and had originally intended to have i...
If the French Revolution had an official painter, it was Jacques-Louis David—although "official prop...
This article examines a work painted by David in Rome in 1779 when the artist was a pensioner of the...
Composition as a political symbol : David, Winckelmann and Carlo Fea. During the years 1770 to 178...
The iconographic theme of the ‘Meeting of Alexander the Great and the Family of Darius’ illustrates ...
Detail, left, Napoleon's sisters and brothers; Jacques Louis David was commissioned by Napoleon I to...