Each of the artefacts mentioned in the title is an exemplification of products of the anthropological “Other”. Each of them comes from a distinct geographical region and represents an entirely different culture. However, all of them have been connected together in the Western culture realia as a result of a particular type of displacements. The first displacement involved their physical migration – first to European museums of natural history and ethnological museums. The next one resulted in their emergence on the market of exotic “oddities” whereas yet another displacement located them within the conceptual framework delimited by the artistic discourse. This last displacement shows that it is very difficult to understand or “translate” on...
This article argues for a theoretical extension in anthropology from the post-Cartesian depiction of...
Material Culture and (Forced) Migration argues that materiality is a fundamental dimension of migrat...
the old Rocks area now incorporated into a tourist district, the sign on the gallery door reads ‘Abo...
Studies related to migratory movements have until now given little attention to objects despite the ...
Can we consider māori mummified tattooed heads dating from the eighteenth century as “things”? How m...
The volume examines the mutually constitutive relationship between the materiality of objects and th...
This paper proposes a discussion of displacement as essential to the museum and key to its cultural ...
Anthropomorphic figurines constitute one of the most interesting and equally enigmatic objects of th...
Université de Zurich How do objects move from place to place? How did the objects we see in museums ...
When the metamorphosis of ethnic objects into ‘art’ took place in the fifties of last century, the i...
This thesis deals with the repatriation of Toi moko (tattooed, preserved heads of Māori or Moriori o...
This project examines the interpretive processes of repairing sowei masks within the diverse assembl...
European museums (of ethnography) and the material culture under their custody — a large portion of ...
The article aims to reflect on the symbolism of the object and its links to day-to-day experience of...
Occasionally the complex meaning of objects in ethnographic collections is hidden behind an unpreten...
This article argues for a theoretical extension in anthropology from the post-Cartesian depiction of...
Material Culture and (Forced) Migration argues that materiality is a fundamental dimension of migrat...
the old Rocks area now incorporated into a tourist district, the sign on the gallery door reads ‘Abo...
Studies related to migratory movements have until now given little attention to objects despite the ...
Can we consider māori mummified tattooed heads dating from the eighteenth century as “things”? How m...
The volume examines the mutually constitutive relationship between the materiality of objects and th...
This paper proposes a discussion of displacement as essential to the museum and key to its cultural ...
Anthropomorphic figurines constitute one of the most interesting and equally enigmatic objects of th...
Université de Zurich How do objects move from place to place? How did the objects we see in museums ...
When the metamorphosis of ethnic objects into ‘art’ took place in the fifties of last century, the i...
This thesis deals with the repatriation of Toi moko (tattooed, preserved heads of Māori or Moriori o...
This project examines the interpretive processes of repairing sowei masks within the diverse assembl...
European museums (of ethnography) and the material culture under their custody — a large portion of ...
The article aims to reflect on the symbolism of the object and its links to day-to-day experience of...
Occasionally the complex meaning of objects in ethnographic collections is hidden behind an unpreten...
This article argues for a theoretical extension in anthropology from the post-Cartesian depiction of...
Material Culture and (Forced) Migration argues that materiality is a fundamental dimension of migrat...
the old Rocks area now incorporated into a tourist district, the sign on the gallery door reads ‘Abo...