This article seeks to decode the artistic strategies employed by Nick Cave on two of his recent albums, Skeleton Tree (2016) and Ghosteen (2019), to process the trauma related to the sudden death of his teenage son, Arthur, in July 2015. Understandably, the literary layer of both productions is marked by the author’s grief and attempts to overcome it. However, the lyrics on both albums are also an account of a recovery from a trauma. It is a process composed of four stages: the shock experienced by an individual; desperate attempts to return to the reality before the trauma, which for obvious reasons turns out to be impossible; developing a trauma narrative, i.e. retelling a traumatic event; the beginning of the healing process with accepti...
For bereaved parents the death of a child is the most tragic of all deaths. When a child dies, paren...
Newman and Nelson (2012) describe three ‘dances’ to explain the vacillating psychological states of ...
In this article we investigate the affordances of music listening during a parent’s grieving process...
In 2015 and 2016, the sons of Australian singer and songwriter Nick Cave and of the Danish author Na...
The year 2016 was a proficuous one in terms of music, poetry and film production when we consider Da...
This article tries to interpret the lyrics from From Her to Eternity (1984), a debut studio album by...
My concern is Nick Cave’s unceasing focus on death in nearly all its forms. Unlike the tendency to c...
Nick Cave is a hugely successful rock musician who has progressed from post-punk outsider in the 198...
On 25 September 1999 Nick Cave gave a lecture called ‘The Love Song’ at the Atelierhaus der Akademie...
This is a qualitative study of three pop songs rooted from the same tragic event of Eric Clapton?s s...
Nick Cave is possibly the most successful and world-wide known Australian cultural icon. Born in War...
The aim of this thesis is to compare Nick Cave's lyrics with his prosaic work, especially the novel ...
Violence and murder have a strong cultural currency, the implications of which should be pursued by ...
This manuscript explores how a tightknit music fan community responds to the suicide of one of its m...
This paper discusses the connection that subcultures and fan-bases of certain musical acts feel with...
For bereaved parents the death of a child is the most tragic of all deaths. When a child dies, paren...
Newman and Nelson (2012) describe three ‘dances’ to explain the vacillating psychological states of ...
In this article we investigate the affordances of music listening during a parent’s grieving process...
In 2015 and 2016, the sons of Australian singer and songwriter Nick Cave and of the Danish author Na...
The year 2016 was a proficuous one in terms of music, poetry and film production when we consider Da...
This article tries to interpret the lyrics from From Her to Eternity (1984), a debut studio album by...
My concern is Nick Cave’s unceasing focus on death in nearly all its forms. Unlike the tendency to c...
Nick Cave is a hugely successful rock musician who has progressed from post-punk outsider in the 198...
On 25 September 1999 Nick Cave gave a lecture called ‘The Love Song’ at the Atelierhaus der Akademie...
This is a qualitative study of three pop songs rooted from the same tragic event of Eric Clapton?s s...
Nick Cave is possibly the most successful and world-wide known Australian cultural icon. Born in War...
The aim of this thesis is to compare Nick Cave's lyrics with his prosaic work, especially the novel ...
Violence and murder have a strong cultural currency, the implications of which should be pursued by ...
This manuscript explores how a tightknit music fan community responds to the suicide of one of its m...
This paper discusses the connection that subcultures and fan-bases of certain musical acts feel with...
For bereaved parents the death of a child is the most tragic of all deaths. When a child dies, paren...
Newman and Nelson (2012) describe three ‘dances’ to explain the vacillating psychological states of ...
In this article we investigate the affordances of music listening during a parent’s grieving process...