From festive to everyday – music as the audiosphere of contemporary world

In this article, the category of omnivorousness is taken up as a new model of cultural consumption, displacing the homologous snobbery of the elite. Referring to the study of musical taste, the author points out that in the place of the elite taste of the privileged classes, appears cosmopolitanand unlimited omnivorousness, which also consumes unapproved species and flavors. At the same time, it has been pointed out that omnivorousness does not mean unreflective consumption of everything, but rather the openness and broadening of the spheres of current cultural consumption. The author convinces that this model of omnivorousness in the postmodern world becomes a way of reaching people from other social classes and understanding habitus different from their own. In this approach, popular culture becomes the only obligatory, far from being a symptom of bad or low taste