The author of this paper traces the history and development of popular music in Korea, and, afterwards, the Republic of Korea, against the backdrop of socio-political change between 1920–1980. The analysis focusses on two musical genres – trot (Korean – t’ŭrot’ŭ) and rock music, whose evolution has been inseparably connected with the history of the Korean society. The paper also unearths a mutual interdependence between local tradition and foreign influences, linking cultural production to Korea’s geo-political situation
This dissertation examines the historical trajectory of colonial mentality and the genealogy of cult...
Korea's nationalistic antagonism towards Japan and "things Japanese" has mostly been a response to t...
AbstractIn this paper, I explore the significance of Yi Nanyǒng’s contribution to the history of Kor...
Through the lens of the cultural evolution of Trot, jazz, and contemporary avantgarde music genres f...
The colonial period represents a complex situation in which Korean music performances were transform...
honors thesisCollege of HumanitiesHistoryWesley Sasaki-UemuraAlthough appropriation of music by poli...
The purpose of this study is to discuss Korean nationalism as seen in Huh Cool-jae's Missa Arirang a...
To Korean people by the end of the 19th century who had previously enjoyed only traditional music ge...
The impact of Western music on the music of non-Western cultures has been an important topic in ethn...
This dissertation examines how cultural initiatives involving music have shaped North Korean politic...
T’ûrot’û (its name derived from the Korean pronunciation of the English, trot) is a South Korean sen...
This dissertation examines Korean War period music and explains the musical encounters and developme...
Researchers in Korean studies looking into the popular entertainment industries during the colonial ...
Muzyka trot to najstarszy gatunek koreańskiej muzyki rozrywkowej, którego początki sięgają lat 20. X...
Approximately 1910 begins the appearance of the Korean art song as we now know it today. After weste...
This dissertation examines the historical trajectory of colonial mentality and the genealogy of cult...
Korea's nationalistic antagonism towards Japan and "things Japanese" has mostly been a response to t...
AbstractIn this paper, I explore the significance of Yi Nanyǒng’s contribution to the history of Kor...
Through the lens of the cultural evolution of Trot, jazz, and contemporary avantgarde music genres f...
The colonial period represents a complex situation in which Korean music performances were transform...
honors thesisCollege of HumanitiesHistoryWesley Sasaki-UemuraAlthough appropriation of music by poli...
The purpose of this study is to discuss Korean nationalism as seen in Huh Cool-jae's Missa Arirang a...
To Korean people by the end of the 19th century who had previously enjoyed only traditional music ge...
The impact of Western music on the music of non-Western cultures has been an important topic in ethn...
This dissertation examines how cultural initiatives involving music have shaped North Korean politic...
T’ûrot’û (its name derived from the Korean pronunciation of the English, trot) is a South Korean sen...
This dissertation examines Korean War period music and explains the musical encounters and developme...
Researchers in Korean studies looking into the popular entertainment industries during the colonial ...
Muzyka trot to najstarszy gatunek koreańskiej muzyki rozrywkowej, którego początki sięgają lat 20. X...
Approximately 1910 begins the appearance of the Korean art song as we now know it today. After weste...
This dissertation examines the historical trajectory of colonial mentality and the genealogy of cult...
Korea's nationalistic antagonism towards Japan and "things Japanese" has mostly been a response to t...
AbstractIn this paper, I explore the significance of Yi Nanyǒng’s contribution to the history of Kor...