Add to ORKGStarting from Gilles Deleuze’s conception of the affect, the article aims to analyse reflections on this phenomenon present in writings of some French authors of 20s and 30s, especially those who created the review Documents as well as the Collège de Sociologie, i.e. Georges Bataille, Michel Leiris, and Roger Caillois. Their focus on the material aspect of sensation and on the inter‐relational dimension of attraction and repulsion phenomena constitutes an interesting episode in the history of the affect before the Deleuze era
324 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1998.This study is organized into ...
The article analyzes the conceptions of Benedictus Spinoza and Gotfryd Leibniz, the authors who most...
The interest of Gilles Deleuze in the nondiscursive arts is related to the movement of his thought f...
There is no perception without affection. This necessity comes from the very fact that perception me...
The article substantiates the relevance of updating the anthropological approach to the study of rom...
Chapter from Deleuze and the Passions, edited by Ceciel Meiborg and Sjoerd van Tuinen. In recent yea...
The Deleuzean literature paid relatively little attention to the relationships between Deleuze and c...
In recent years the humanities, social sciences and neuroscience have witnessed an ‘affective turn,’...
The thought of Gilles Deleuze (and Félix Guattari) bears on ambiguous relation with respect to the “...
The actions of affect are prominent in the philosophy of Gilles Deleuze and can be broken down for t...
Deleuze and Guattari’s concept of art (the logic of sensation) has been interpreted in the context o...
Brian Massumi and others, such as William Connolly, draw together a number of approaches into what b...
This article explores the work of French thinker Gilles Deleuze and argues for the application of hi...
The deformation: Bataille and the irrepresentable The present article is focused on the interactions...
The concept of quasi-cause is a relatively marginal one in the work of Gilles Deleuze, appearing br...
324 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1998.This study is organized into ...
The article analyzes the conceptions of Benedictus Spinoza and Gotfryd Leibniz, the authors who most...
The interest of Gilles Deleuze in the nondiscursive arts is related to the movement of his thought f...
There is no perception without affection. This necessity comes from the very fact that perception me...
The article substantiates the relevance of updating the anthropological approach to the study of rom...
Chapter from Deleuze and the Passions, edited by Ceciel Meiborg and Sjoerd van Tuinen. In recent yea...
The Deleuzean literature paid relatively little attention to the relationships between Deleuze and c...
In recent years the humanities, social sciences and neuroscience have witnessed an ‘affective turn,’...
The thought of Gilles Deleuze (and Félix Guattari) bears on ambiguous relation with respect to the “...
The actions of affect are prominent in the philosophy of Gilles Deleuze and can be broken down for t...
Deleuze and Guattari’s concept of art (the logic of sensation) has been interpreted in the context o...
Brian Massumi and others, such as William Connolly, draw together a number of approaches into what b...
This article explores the work of French thinker Gilles Deleuze and argues for the application of hi...
The deformation: Bataille and the irrepresentable The present article is focused on the interactions...
The concept of quasi-cause is a relatively marginal one in the work of Gilles Deleuze, appearing br...
324 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1998.This study is organized into ...
The article analyzes the conceptions of Benedictus Spinoza and Gotfryd Leibniz, the authors who most...
The interest of Gilles Deleuze in the nondiscursive arts is related to the movement of his thought f...