This article presents linguistic exponents of colors that Jan Lechoń used in poems of poetry volumes: Karmazynowy poemat (The Crimson Poem) and Srebrne i czarne (The Silver and The Black). The poet has used two types of colors exponents: lexical (adjectives, such as czarny = black, nouns, such as fi olet = violet, verbs, such as pobieleć = to whiten, adverb srebrzyście – silvery) and non-lexical (comparative expression jak mlekiem oblany = as bathed in milk and syntactic structure ogień żarzy = fi re glows). The lexical exponents of colors co-creation of various syntactic relationships in which their meaning is revealed. Most linguistic exponents of colors serve as descriptive in the analyzed poems, for example: białe chmurki = white clouds...
The author examines the full set of vocabulary from the fi elds of green colour, representing the en...
Leksiski semantiskais lauks "krāsās" A.Ahmatovas dzejā, leksiski semantiskā lauka analīzes izpēte 20...
Stwarzać można na wiele sposobów – z gliny, kości czy drewna. Ale można także ze słowa. W pracy Łuka...
The article presents the category of colour in modern Polish poetry, and based on an interpretation ...
The article presents the category of colour in modern Polish poetry, and based on an interpretation ...
The present article is an attempt to discuss the stylistic and expressive function of names of colou...
The goal of this article is to investigate the stylistic function of colour terms in creating the ch...
Having compared the distribution of the colour gold in the poetical output of AdamMickiewicz, Julian...
Autorka w swoim artykule przedstawia pole semantyczne barw w najważniejszym dziele czeskiego romanty...
Semantic field of violet colors in the works of Stefan Żeromski The analyzed vocabulary material or...
The subject o f article arc colourful epithets in Mlodopolska’s Polish poetry on selected examples. ...
The aim of this paper is to isolate and characterize linguistic expressions with components of color...
In this paper certain lexical fields of colour naming lexemes from Tennyson’s poem The Lady of Shalo...
Artykuł poświęcony jest językowym środkom leksykalnym, które posłużyły Jarosławowi Iwaszkiewiczowi d...
The article discusses functions of colours in the poetry of Fiodor Glinka – 19th century Russian poe...
The author examines the full set of vocabulary from the fi elds of green colour, representing the en...
Leksiski semantiskais lauks "krāsās" A.Ahmatovas dzejā, leksiski semantiskā lauka analīzes izpēte 20...
Stwarzać można na wiele sposobów – z gliny, kości czy drewna. Ale można także ze słowa. W pracy Łuka...
The article presents the category of colour in modern Polish poetry, and based on an interpretation ...
The article presents the category of colour in modern Polish poetry, and based on an interpretation ...
The present article is an attempt to discuss the stylistic and expressive function of names of colou...
The goal of this article is to investigate the stylistic function of colour terms in creating the ch...
Having compared the distribution of the colour gold in the poetical output of AdamMickiewicz, Julian...
Autorka w swoim artykule przedstawia pole semantyczne barw w najważniejszym dziele czeskiego romanty...
Semantic field of violet colors in the works of Stefan Żeromski The analyzed vocabulary material or...
The subject o f article arc colourful epithets in Mlodopolska’s Polish poetry on selected examples. ...
The aim of this paper is to isolate and characterize linguistic expressions with components of color...
In this paper certain lexical fields of colour naming lexemes from Tennyson’s poem The Lady of Shalo...
Artykuł poświęcony jest językowym środkom leksykalnym, które posłużyły Jarosławowi Iwaszkiewiczowi d...
The article discusses functions of colours in the poetry of Fiodor Glinka – 19th century Russian poe...
The author examines the full set of vocabulary from the fi elds of green colour, representing the en...
Leksiski semantiskais lauks "krāsās" A.Ahmatovas dzejā, leksiski semantiskā lauka analīzes izpēte 20...
Stwarzać można na wiele sposobów – z gliny, kości czy drewna. Ale można także ze słowa. W pracy Łuka...