At the end of the 20th century in Kraków Andrzej Wajda began to implement his architectural vision. With the Manggha Museum of Japanese Art and Technology he created a counterpoint to the Wawel hill on the opposite bank of the Vistula. Another precedent was the intimate “Wyspiański 2000 Pavilion”, finally erected between 2005–2007 at plac Wszystkich Świętych. Through his architectural vision and creations he etched himself permanently in the identity of Kraków. Wajda proved that it is possible to understand the city as a creation, as a living work of art. His imagination and determination proved that this does not only need to be through the illusion of film
Joanna Walaszek przybliża teatralną twórczość Andrzeja Wajdy. Na przykładzie adaptacji powieści Dost...
Artykuł stanowi próbę ponownego przyjrzenia się trzem pierwszym filmom Andrzeja Wajdy: Pokoleniu, Ka...
<p>The article is a synthetic look at Andrzej Wajda’s films in terms the context of acting and actor...
At the end of the 20th century in Kraków Andrzej Wajda began to implement his architectural vision. ...
<p>The author offers a concise description of the contents of the Andrzej Wajda Archive, which is lo...
The author offers a concise description of the contents of the Andrzej Wajda Archive, which is locat...
This editorial is an impressionistic work on Andrzej Wajda’s output, predominantly emphasising its d...
The article discusses the creation of Andrzej Wajda who is a prominent representative of the Polish ...
<p>The article introduces a relatively unknown aspect of Andrzej Wajda’s output – his documentary fi...
The author discusses a little-known aspect of Andrzej Wajda’s work – his drawings and sketches, whic...
Cinema is not just art and entertainment," said Polish director Andrzej Wajda in dialogue with Germa...
ANDRZEJ WAJDA'S DUTIES TO THE AUDIENCE (OSCAR 2000) You may think about cinema whatever you wish bu...
The article introduces a relatively unknown aspect of Andrzej Wajda’s output – his documentary films...
Łucja Iwanczewska ponders the strategies and cinematic decisions of Andrzej Wajda. Her thesis is tha...
A LOOK FROM THE “OTHER SIDE”. ANDRZEJ WAJDA IN THE DOCUMENTS OF THE CULTURE DEPA...
Joanna Walaszek przybliża teatralną twórczość Andrzeja Wajdy. Na przykładzie adaptacji powieści Dost...
Artykuł stanowi próbę ponownego przyjrzenia się trzem pierwszym filmom Andrzeja Wajdy: Pokoleniu, Ka...
<p>The article is a synthetic look at Andrzej Wajda’s films in terms the context of acting and actor...
At the end of the 20th century in Kraków Andrzej Wajda began to implement his architectural vision. ...
<p>The author offers a concise description of the contents of the Andrzej Wajda Archive, which is lo...
The author offers a concise description of the contents of the Andrzej Wajda Archive, which is locat...
This editorial is an impressionistic work on Andrzej Wajda’s output, predominantly emphasising its d...
The article discusses the creation of Andrzej Wajda who is a prominent representative of the Polish ...
<p>The article introduces a relatively unknown aspect of Andrzej Wajda’s output – his documentary fi...
The author discusses a little-known aspect of Andrzej Wajda’s work – his drawings and sketches, whic...
Cinema is not just art and entertainment," said Polish director Andrzej Wajda in dialogue with Germa...
ANDRZEJ WAJDA'S DUTIES TO THE AUDIENCE (OSCAR 2000) You may think about cinema whatever you wish bu...
The article introduces a relatively unknown aspect of Andrzej Wajda’s output – his documentary films...
Łucja Iwanczewska ponders the strategies and cinematic decisions of Andrzej Wajda. Her thesis is tha...
A LOOK FROM THE “OTHER SIDE”. ANDRZEJ WAJDA IN THE DOCUMENTS OF THE CULTURE DEPA...
Joanna Walaszek przybliża teatralną twórczość Andrzeja Wajdy. Na przykładzie adaptacji powieści Dost...
Artykuł stanowi próbę ponownego przyjrzenia się trzem pierwszym filmom Andrzeja Wajdy: Pokoleniu, Ka...
<p>The article is a synthetic look at Andrzej Wajda’s films in terms the context of acting and actor...