This editorial is an impressionistic work on Andrzej Wajda’s output, predominantly emphasising its dramatic nature. The text presents the uniqueness of Andrzej Wajda’s creative work in such diverse forms of art as if they were one – his painting metamorphosed into film, drawing into screenplay, urban space into a theatre stage. Wajda is seen here not only as a director, but also as a contemporary dramatist, who creates the dramatic space of history’s traps, who dramatises the fate of the individual, and who interprets the drama of the philosophical stage
Łucja Iwanczewska ponders the strategies and cinematic decisions of Andrzej Wajda. Her thesis is tha...
THE MONUMENTAL MEMORY? ON THE FINAL FILM OF ANDRZEJ WAJDA The paper attempts to study the Afterimag...
This chapter argues that the work of Andrzej Wajda in cinema and that of Grotwoski in experimental t...
The article introduces a relatively unknown aspect of Andrzej Wajda’s output – his documentary films...
<p>The article is a synthetic look at Andrzej Wajda’s films in terms the context of acting and actor...
ANDRZEJ WAJDA'S AFTERIMAGESThe text: Andrzej Wajda’s Afterimages is an analysis of the ...
The article is a synthetic look at Andrzej Wajda’s films in terms the context of acting and actors’ ...
<p>The article introduces a relatively unknown aspect of Andrzej Wajda’s output – his documentary fi...
Joanna Walaszek przybliża teatralną twórczość Andrzeja Wajdy. Na przykładzie adaptacji powieści Dost...
<p>The author offers a concise description of the contents of the Andrzej Wajda Archive, which is lo...
The author offers a concise description of the contents of the Andrzej Wajda Archive, which is locat...
At the end of the 20th century in Kraków Andrzej Wajda began to implement his architectural vision. ...
The article is an attempt to examining again the three first movies of Andrzej Wajda: Generation, Ca...
The author discusses a little-known aspect of Andrzej Wajda’s work – his drawings and sketches, whic...
ANDRZEJ WAJDA'S DUTIES TO THE AUDIENCE (OSCAR 2000) You may think about cinema whatever you wish bu...
Łucja Iwanczewska ponders the strategies and cinematic decisions of Andrzej Wajda. Her thesis is tha...
THE MONUMENTAL MEMORY? ON THE FINAL FILM OF ANDRZEJ WAJDA The paper attempts to study the Afterimag...
This chapter argues that the work of Andrzej Wajda in cinema and that of Grotwoski in experimental t...
The article introduces a relatively unknown aspect of Andrzej Wajda’s output – his documentary films...
<p>The article is a synthetic look at Andrzej Wajda’s films in terms the context of acting and actor...
ANDRZEJ WAJDA'S AFTERIMAGESThe text: Andrzej Wajda’s Afterimages is an analysis of the ...
The article is a synthetic look at Andrzej Wajda’s films in terms the context of acting and actors’ ...
<p>The article introduces a relatively unknown aspect of Andrzej Wajda’s output – his documentary fi...
Joanna Walaszek przybliża teatralną twórczość Andrzeja Wajdy. Na przykładzie adaptacji powieści Dost...
<p>The author offers a concise description of the contents of the Andrzej Wajda Archive, which is lo...
The author offers a concise description of the contents of the Andrzej Wajda Archive, which is locat...
At the end of the 20th century in Kraków Andrzej Wajda began to implement his architectural vision. ...
The article is an attempt to examining again the three first movies of Andrzej Wajda: Generation, Ca...
The author discusses a little-known aspect of Andrzej Wajda’s work – his drawings and sketches, whic...
ANDRZEJ WAJDA'S DUTIES TO THE AUDIENCE (OSCAR 2000) You may think about cinema whatever you wish bu...
Łucja Iwanczewska ponders the strategies and cinematic decisions of Andrzej Wajda. Her thesis is tha...
THE MONUMENTAL MEMORY? ON THE FINAL FILM OF ANDRZEJ WAJDA The paper attempts to study the Afterimag...
This chapter argues that the work of Andrzej Wajda in cinema and that of Grotwoski in experimental t...