The article presents the most typical ways of co-building various types of film space through the verbal layer of the soundtrack: inside the frame and outside of it, diegetic and non-diegetic, and narrative and non-narrative. In order to discuss linguistic ways of co-creating space, the author used the tenets of mediolinguistics and the ideas of the textual image of the world and the linguistic image of the world
The article deals with the question of text and media text from the point of view of Communicative L...
This is the first book-length study of the narratology of film music, and an indispensable resource ...
The core of this work is to search for analogies between different aspects of music composition and ...
Film sound plays a significant role in creating the illusion of space-time continuum in movie scenes...
Technology is a means of creating any product. However, in the onscreen art, it is one of the elemen...
In my article I discuss the characteristics of linguistic film discourse. I present the artistic sig...
The term "screenplay" has been defined in this article. Lexicographical interpretation and origin of...
The article considers some aspects of verbal and nonverbal interactive means in films, including sou...
Many scholars have recently proposed new models to describe the positioning of music in films. The m...
The purpose of this thesis is to analyze and sort out the creative processes using a film audio comp...
The goal of this work is to popularize certain sound theory issues (e.g. storytelling, interactivity...
The film produces an effect through the pictures, the light and color system, through the dialogs an...
In this article, author analyzes the theoretical aspects of the film music study taking into account...
The purpose of the research is to analyze popular examples of modern cinema music to determine the f...
The purpose of the study is to identify the means and methods of introducing new technologies to pro...
The article deals with the question of text and media text from the point of view of Communicative L...
This is the first book-length study of the narratology of film music, and an indispensable resource ...
The core of this work is to search for analogies between different aspects of music composition and ...
Film sound plays a significant role in creating the illusion of space-time continuum in movie scenes...
Technology is a means of creating any product. However, in the onscreen art, it is one of the elemen...
In my article I discuss the characteristics of linguistic film discourse. I present the artistic sig...
The term "screenplay" has been defined in this article. Lexicographical interpretation and origin of...
The article considers some aspects of verbal and nonverbal interactive means in films, including sou...
Many scholars have recently proposed new models to describe the positioning of music in films. The m...
The purpose of this thesis is to analyze and sort out the creative processes using a film audio comp...
The goal of this work is to popularize certain sound theory issues (e.g. storytelling, interactivity...
The film produces an effect through the pictures, the light and color system, through the dialogs an...
In this article, author analyzes the theoretical aspects of the film music study taking into account...
The purpose of the research is to analyze popular examples of modern cinema music to determine the f...
The purpose of the study is to identify the means and methods of introducing new technologies to pro...
The article deals with the question of text and media text from the point of view of Communicative L...
This is the first book-length study of the narratology of film music, and an indispensable resource ...
The core of this work is to search for analogies between different aspects of music composition and ...