The Center for the Living Things is a research institute founded in 2016 in order to examine, collect and popularise knowledge concerning new non-human forms: plants, lichen, fungi and insects. All exhibits gathered in the Institute’s collection are abandoned objects, used commodities and those no longer needed – the debris of human overproduction, which has become the natural environment for many living organisms. Specimens were found in an illegal waste dumping site, where man-derived objects and plant tissues mix. These hybrids of plants and artificial objects are difficult to classify, as they are simultaneously animate and inanimate. Exhibits collected in the Center for the Living Things cannot be classified conventionally. Recently, w...
This project focuses on how green curation, and the incorporation of natural elements such as plants...
The project undertaken was aimed at extending a current craft based jewellery practice. Related by s...
This series of work focuses on the man-made materials that are overtaking nature. Technology has not...
THE PLANT AS A MEDIUM: THE ISSUE OF THE CARE OF CONTEMPORARY ART INCORPORATING ELEMENTS OF PLANTS ...
This innovative volume is the first to address the conservation of contemporary art incorporating bi...
What does it mean to take Animals, Plants, and Machines seriously when engaging in hybrid natures su...
By using living matter as both a tool and material for their artwork, bio-artists reconfigure nature...
Biological art is one of the most recent manifestations at the intersection of art, science and tech...
In the Western cultural imaginaries the monstrous is defined – following Aristotelian categorisation...
Humans are reshaping the planet in impressive, and impressively self-destructive, ways. Evidence and...
The Symbiosity of Creation (2012 – ca. 2034) by Jarosław Czarnecki (aka Elvin Flamingo) is an interd...
The field of biological arts deals with modern biological knowledge, its applications and outcomes a...
A vast set of associations surrounds both popular and academic ideas of what art actually entails. A...
Things/objects/materials/nonhumans are integral components of everyday material ecology of humans. T...
The author argues that the modern project of disenchanting the world through genome discovery has no...
This project focuses on how green curation, and the incorporation of natural elements such as plants...
The project undertaken was aimed at extending a current craft based jewellery practice. Related by s...
This series of work focuses on the man-made materials that are overtaking nature. Technology has not...
THE PLANT AS A MEDIUM: THE ISSUE OF THE CARE OF CONTEMPORARY ART INCORPORATING ELEMENTS OF PLANTS ...
This innovative volume is the first to address the conservation of contemporary art incorporating bi...
What does it mean to take Animals, Plants, and Machines seriously when engaging in hybrid natures su...
By using living matter as both a tool and material for their artwork, bio-artists reconfigure nature...
Biological art is one of the most recent manifestations at the intersection of art, science and tech...
In the Western cultural imaginaries the monstrous is defined – following Aristotelian categorisation...
Humans are reshaping the planet in impressive, and impressively self-destructive, ways. Evidence and...
The Symbiosity of Creation (2012 – ca. 2034) by Jarosław Czarnecki (aka Elvin Flamingo) is an interd...
The field of biological arts deals with modern biological knowledge, its applications and outcomes a...
A vast set of associations surrounds both popular and academic ideas of what art actually entails. A...
Things/objects/materials/nonhumans are integral components of everyday material ecology of humans. T...
The author argues that the modern project of disenchanting the world through genome discovery has no...
This project focuses on how green curation, and the incorporation of natural elements such as plants...
The project undertaken was aimed at extending a current craft based jewellery practice. Related by s...
This series of work focuses on the man-made materials that are overtaking nature. Technology has not...