INTERPRETATION AND CONDUCTING OF THE GREGORIAN CHANT

Problems of the conducting of the Gregorian composition depends on rhythmical optics chosen by the conductor. Used since 1908 method of Solesmes involving the bipartite and tripartite meaning of rhythm, with semiological optics executive has become anachronistic. Founder of renewed executive concept – Dom Cardine – returned to reading and understanding of the rhythmic signs contained in the oldest preserved musical-liturgical sources (Sankt Gallen and Laon). There is no collection of conventional gestures, which could use the Gregorian conductor. The initial analytical gesture, characterized by distinguishing the different sounds, in terms of synthetic depends on the degree of knowledge of Gregorian semiology. Gesture requires first of all emphasize the notes and extended by graphic separation from others - articulated