The article focuses on autobiographical films by Polish-American documentary filmmaker whose most personal project is Never Forget to Lie (2012) about Jews rescued from the Warsaw ghetto in their early childhood. Marzyński is a Holocaust survivor himself and a television reporter who emigrated from communist Poland in 1969. He has been gradually transforming the style of the documentary films he made in the West to make them more and more personal by referring to his biography. Marzyński’s cinéma vérité techniques include initiating emotional in-front-of-the-camera interviews with Holocaust survivors and witnesses of History in the meaningful surrounding of historical places. In this way, the filmmaker makes the architecture, landscape and ...
The article tells the story of the making of a little-known Polish documentary shot in 1944 and 1945...
The article is devoted to two films by the independent operator, director and producer Arkadiusz Goł...
The article introduces a relatively unknown aspect of Andrzej Wajda’s output – his documentary films...
Mikołaj Jazdon, Katedra Filmu, Telewizji i Nowych Mediów UAM, Reportaże z pamięci. O rekonstruowaniu...
The autobiographical documentary has a number of elements which resemble those of a reality show. Su...
Autobiographical threads occupy an important place in films of Marian Marzyński and Leszek Leo ...
The complex relations of the cinematic image with history and memory are the context for the analysi...
The author of the article, one of the acclaimed Polish cinematographers, describes his practical efo...
Colour slides of the Łódź Ghetto were found in Vienna in 1987. They were taken by Walter Genewein, t...
More than seven decades after the liberation of concentration camps across Europe, we are witnessing...
The autobiographical documentary has a number of elements that resemble those of a reality show. Suc...
Tematem artykułu jest dokonujący się w ostatnich latach na gruncie polskiej humanistyki zwrot hersto...
In the period between the end of World War II and the late 1980s the Polish film industry produced ...
The article is an analysis of Paweł Łoziński’s documentary film Miejsce urodzenia [Birthplace] which...
In this article, I inquire into the life of a single Holocaust survivor in order to give a “thick de...
The article tells the story of the making of a little-known Polish documentary shot in 1944 and 1945...
The article is devoted to two films by the independent operator, director and producer Arkadiusz Goł...
The article introduces a relatively unknown aspect of Andrzej Wajda’s output – his documentary films...
Mikołaj Jazdon, Katedra Filmu, Telewizji i Nowych Mediów UAM, Reportaże z pamięci. O rekonstruowaniu...
The autobiographical documentary has a number of elements which resemble those of a reality show. Su...
Autobiographical threads occupy an important place in films of Marian Marzyński and Leszek Leo ...
The complex relations of the cinematic image with history and memory are the context for the analysi...
The author of the article, one of the acclaimed Polish cinematographers, describes his practical efo...
Colour slides of the Łódź Ghetto were found in Vienna in 1987. They were taken by Walter Genewein, t...
More than seven decades after the liberation of concentration camps across Europe, we are witnessing...
The autobiographical documentary has a number of elements that resemble those of a reality show. Suc...
Tematem artykułu jest dokonujący się w ostatnich latach na gruncie polskiej humanistyki zwrot hersto...
In the period between the end of World War II and the late 1980s the Polish film industry produced ...
The article is an analysis of Paweł Łoziński’s documentary film Miejsce urodzenia [Birthplace] which...
In this article, I inquire into the life of a single Holocaust survivor in order to give a “thick de...
The article tells the story of the making of a little-known Polish documentary shot in 1944 and 1945...
The article is devoted to two films by the independent operator, director and producer Arkadiusz Goł...
The article introduces a relatively unknown aspect of Andrzej Wajda’s output – his documentary films...