The aim of this article is to present the issue of female singers and their role in the society of eighteenth-century Vienna on the example of two women: Mozart’s sister-in-law Aloysia, née Weber, later Lange, and Catarina Cavalieri, the first Constance. These singers were rivals on the opera stage in late 18th century Vienna, as evidenced by the parts written for them by Mozart in his Der Schauspieldirektor. From the social point of view, the biographies of these two outstanding singers are very different
Among recent approaches to Classic music, one of the most revealing is the investigation of expressi...
This bachelor thesis examines how the figure of Maria Anna Mozart, the older sister of the famous co...
The article examines the arias of the two main female characters of Mozart’s Le nozze di Figaro, st...
The aim of this article is to present the issue of female singers and their role in the society of e...
Music reached a brilliant high point at the Augustinian convent of St Jakob auf der Hülben in Vienna...
This study considers how the emergence of opera, its evolution, and the rise of the prima donna infl...
The purpose of the research is to analyze the achievements of early Viennese classics through the hi...
This project explores the question of how singers affect composition. Over the past year, I have ana...
W. A. Mozart’s opera and concert arias for tenor are among the first music written specifically for ...
ii W.A. Mozart was a masterful creator of music and drama as well as a keen observer of human relati...
In the 18th century, Naples is considered as the uncontested capital of opera. Singing for opere buf...
This diploma thesis deals with the theme of Mozart's opera The Marriage of Figaro, focusing on the r...
The article presents information arranged in chronological order on the professional and personal co...
In 1752, the soprano Maria Dorothea Wendling (née Spurni) and her husband, the celebrated flautist J...
The article is devoted to the psychological and cognitive problem of “stalled ambitions” on the exam...
Among recent approaches to Classic music, one of the most revealing is the investigation of expressi...
This bachelor thesis examines how the figure of Maria Anna Mozart, the older sister of the famous co...
The article examines the arias of the two main female characters of Mozart’s Le nozze di Figaro, st...
The aim of this article is to present the issue of female singers and their role in the society of e...
Music reached a brilliant high point at the Augustinian convent of St Jakob auf der Hülben in Vienna...
This study considers how the emergence of opera, its evolution, and the rise of the prima donna infl...
The purpose of the research is to analyze the achievements of early Viennese classics through the hi...
This project explores the question of how singers affect composition. Over the past year, I have ana...
W. A. Mozart’s opera and concert arias for tenor are among the first music written specifically for ...
ii W.A. Mozart was a masterful creator of music and drama as well as a keen observer of human relati...
In the 18th century, Naples is considered as the uncontested capital of opera. Singing for opere buf...
This diploma thesis deals with the theme of Mozart's opera The Marriage of Figaro, focusing on the r...
The article presents information arranged in chronological order on the professional and personal co...
In 1752, the soprano Maria Dorothea Wendling (née Spurni) and her husband, the celebrated flautist J...
The article is devoted to the psychological and cognitive problem of “stalled ambitions” on the exam...
Among recent approaches to Classic music, one of the most revealing is the investigation of expressi...
This bachelor thesis examines how the figure of Maria Anna Mozart, the older sister of the famous co...
The article examines the arias of the two main female characters of Mozart’s Le nozze di Figaro, st...