The experts and admirers of Schulz’s plastic art have long known about his design of a bookplate of Ella and Jakub Schulz, the children of Izydor, Schulz’s elder brother, made probably in 1930. A sheet of paper with a pencil sketch was glued to carton most likely by Schulz himself and then framed. In such a form, hiding the reverse, it was preserved for several decades. In 2015 it became an object of auction. During examination, the sheet was separated from its original background and it turned out that on the reverse there are some unknown sketches by Schulz. One of them is a portrait of the writer’s mother, the other shows a homage of an elderly man to a young woman. Many known drawings by the writer have been made on sheets where both th...
The paper is an attempt to shed light on Bruno Schulz as a man seen in a specific social and histori...
The paper sums up and corrects information on the exhibitions in which Schulz took part as well as r...
Both drawings (the one from the first page of the fascicle and the other from the outer side of the ...
Bruno Schulz’s drawings in which we may find the faces of his friends and colleagues, the students a...
The essay focuses on Bruno Schulz’s drawing, Three Figures 1935 (cardboard, pencil, black watercolor...
The main idea of the present essay is considering Bruno Schulz’s own illustrations to his stories as...
Bruno Schulz visited Paris in August 1938. He wanted to organize there an exhibition of his works of...
The text traces imaginary patterns of correspondences between Bruno Schulz’s fictions and the story ...
The article describes the project of an exhibition which is being prepared on the occasion of the 12...
Schulz’s occasional graphic designs which made the margin of his art included also a vignette of the...
The cause of this investigation were two unknown drawings by Bruno Schulz (ink, two 4x7 cm, two 6x7 ...
Most likely, Schulz’s sketchbook comes from 1907-1908, when he was fifteen or sixteen-years old. Sch...
Schulz did not dwell in history. He lived apart from society, limiting his social contacts and givin...
This study configures as a dip in the universe of the multifaceted Polish artist Bruno Schulz (1892-...
“Schulz? I’ve written all about him,” Artur Sandauer allegedly declared in the 1970s. Still, the cri...
The paper is an attempt to shed light on Bruno Schulz as a man seen in a specific social and histori...
The paper sums up and corrects information on the exhibitions in which Schulz took part as well as r...
Both drawings (the one from the first page of the fascicle and the other from the outer side of the ...
Bruno Schulz’s drawings in which we may find the faces of his friends and colleagues, the students a...
The essay focuses on Bruno Schulz’s drawing, Three Figures 1935 (cardboard, pencil, black watercolor...
The main idea of the present essay is considering Bruno Schulz’s own illustrations to his stories as...
Bruno Schulz visited Paris in August 1938. He wanted to organize there an exhibition of his works of...
The text traces imaginary patterns of correspondences between Bruno Schulz’s fictions and the story ...
The article describes the project of an exhibition which is being prepared on the occasion of the 12...
Schulz’s occasional graphic designs which made the margin of his art included also a vignette of the...
The cause of this investigation were two unknown drawings by Bruno Schulz (ink, two 4x7 cm, two 6x7 ...
Most likely, Schulz’s sketchbook comes from 1907-1908, when he was fifteen or sixteen-years old. Sch...
Schulz did not dwell in history. He lived apart from society, limiting his social contacts and givin...
This study configures as a dip in the universe of the multifaceted Polish artist Bruno Schulz (1892-...
“Schulz? I’ve written all about him,” Artur Sandauer allegedly declared in the 1970s. Still, the cri...
The paper is an attempt to shed light on Bruno Schulz as a man seen in a specific social and histori...
The paper sums up and corrects information on the exhibitions in which Schulz took part as well as r...
Both drawings (the one from the first page of the fascicle and the other from the outer side of the ...