Henri Michaux, Paul Klee and René Magritte enroll in a interdisciplinary perspective where painting looks as poem and vice versa. Correspondence between writing and painting defies taxonomy of the pictorial and scriptural in order to establish a new trans-esthetic approach. Painting interpretations show that poetry writing and pictorial articulate two tactics for the same strategy: auscultate the problem of being
The common multi-disciplinary approach to artists in Dutch literature makes it worth investigating t...
The claim –attributed to Leonardo da Vinci– that “painting is mute poetry and poetry is blind painti...
The notion ofmultiple, concurrent readings is used to explore the status ofpictorial textuality as a...
Reading Painting. A relationship to painting is an integral part of Michaux' s poetics; at the same ...
Ekphrasis is examined here in terms of the creative process behind Henri Michaux's En rêvant à parti...
“Ut pictura poesis?” Everything seems to have already been said in this famous formula of Horace. B...
This thesis explores René Magritte\u27s paintings that include words and Steve McCaffery\u27s visual...
The formula of the poet-painter is an integral part of Klee’s reception. If, however, the poetic is ...
Henri Michaux's trip to the Far East in 1930-1931 became a point of departure for his career-long in...
The painter and the painting meet in Peintures with the feminine figure. Peintures has a new liberat...
The aim of this article is to present the connections between literature and art, as well as a graph...
The Question of Painting brings today’s much debated concerns about the socio-cultural and political...
Although Gerard Genette has qualms about a ‘transaesthetic study’ in Palimpsests (trans. 1997), main...
This article explores our understanding of visual imagery through an analysis of Foucault’s examinat...
After fine arts, literature has been another oldest form of the most creative and powerful means of ...
The common multi-disciplinary approach to artists in Dutch literature makes it worth investigating t...
The claim –attributed to Leonardo da Vinci– that “painting is mute poetry and poetry is blind painti...
The notion ofmultiple, concurrent readings is used to explore the status ofpictorial textuality as a...
Reading Painting. A relationship to painting is an integral part of Michaux' s poetics; at the same ...
Ekphrasis is examined here in terms of the creative process behind Henri Michaux's En rêvant à parti...
“Ut pictura poesis?” Everything seems to have already been said in this famous formula of Horace. B...
This thesis explores René Magritte\u27s paintings that include words and Steve McCaffery\u27s visual...
The formula of the poet-painter is an integral part of Klee’s reception. If, however, the poetic is ...
Henri Michaux's trip to the Far East in 1930-1931 became a point of departure for his career-long in...
The painter and the painting meet in Peintures with the feminine figure. Peintures has a new liberat...
The aim of this article is to present the connections between literature and art, as well as a graph...
The Question of Painting brings today’s much debated concerns about the socio-cultural and political...
Although Gerard Genette has qualms about a ‘transaesthetic study’ in Palimpsests (trans. 1997), main...
This article explores our understanding of visual imagery through an analysis of Foucault’s examinat...
After fine arts, literature has been another oldest form of the most creative and powerful means of ...
The common multi-disciplinary approach to artists in Dutch literature makes it worth investigating t...
The claim –attributed to Leonardo da Vinci– that “painting is mute poetry and poetry is blind painti...
The notion ofmultiple, concurrent readings is used to explore the status ofpictorial textuality as a...