The essay presents an attempt at characterizing contemporary music’s culture by identifying a dialectical tension between “modern” and “postmodern” currents in it. After initial considerations on the manifold usages of the term “postmodernism,” five composers’ approaches will be analyzed: John Cage, Philip Glass (and other minimalists), Bernhard Lang, Mauricio Kagel and Johannes Kreidler. However different they may be from one another, all these composers are being interpreted as undermining, in various ways, the practice and theoretical background of modernist avant-garde music
In recent years, scholars have begun to appreciate the reawakening of modernist tendencies in music ...
The concept ‘postmodernism’ refers to a very complex ideological movement concerning the entire cogn...
UID/EAT/00693/2013 SFRH/BPD/90244/2012In his essay “A Forest from the Seeds of Minimalism”, Kyle Gan...
This collection of essays offers a historical reappraisal of what musical modernism was, and what it...
My recent compositions are situated within a postmodern theoretical framework. The heterogeneity of ...
A century on from its first flowering, musical modernism still arouses passions and is riven by cont...
This collection of essays and interviews addresses important theoretical, philosophical and creative...
With the decline in currency of the postmodern, art music culture of the early twenty-first century ...
This chapter conveys postmodernism both as a historical moment and as a force within modernism to ex...
The essay explores, from the last two centuries, the way in which the image dominates in Western cul...
The discipline of musicology is a rather specificially 20th century institution growing out of a dis...
The 1950s would usher in a new era of electronic music. Initiated by the founding of several new ele...
This paper is concerned with the aesthetic and discursive gap between music and contemporary art, an...
This article offers generalised reflections on current aesthetic interests and values within the fie...
In the first decade of the twentieth-century, many composers rejected the principles of tonality and...
In recent years, scholars have begun to appreciate the reawakening of modernist tendencies in music ...
The concept ‘postmodernism’ refers to a very complex ideological movement concerning the entire cogn...
UID/EAT/00693/2013 SFRH/BPD/90244/2012In his essay “A Forest from the Seeds of Minimalism”, Kyle Gan...
This collection of essays offers a historical reappraisal of what musical modernism was, and what it...
My recent compositions are situated within a postmodern theoretical framework. The heterogeneity of ...
A century on from its first flowering, musical modernism still arouses passions and is riven by cont...
This collection of essays and interviews addresses important theoretical, philosophical and creative...
With the decline in currency of the postmodern, art music culture of the early twenty-first century ...
This chapter conveys postmodernism both as a historical moment and as a force within modernism to ex...
The essay explores, from the last two centuries, the way in which the image dominates in Western cul...
The discipline of musicology is a rather specificially 20th century institution growing out of a dis...
The 1950s would usher in a new era of electronic music. Initiated by the founding of several new ele...
This paper is concerned with the aesthetic and discursive gap between music and contemporary art, an...
This article offers generalised reflections on current aesthetic interests and values within the fie...
In the first decade of the twentieth-century, many composers rejected the principles of tonality and...
In recent years, scholars have begun to appreciate the reawakening of modernist tendencies in music ...
The concept ‘postmodernism’ refers to a very complex ideological movement concerning the entire cogn...
UID/EAT/00693/2013 SFRH/BPD/90244/2012In his essay “A Forest from the Seeds of Minimalism”, Kyle Gan...