Basho was the key figure who elevated haikai from an entertaining pastime to a respected poetic form. He had developed a set of related poetic ideals widely utilised by his disciples, fellow poets, and successive followers since the mid-1680s. It looked to the past for inspiration and authority and yet rejected it. It parodied the classical (and Chinese) tradition even as they sought to become part of it. It paid homage to the 'ancients' and yet stressed newness. The haikai Basho created was marked by its freshness though it was not delinked from the Japanese and Chinese past
Book five of the earliest extant anthology of Japanese poetry, the eighth century Man'yoshu, is uniq...
When I attended the Meguro International Haiku Circle last year, I asked for ideas for presentation ...
Yosa Buson (1716-84) was a leading practitioner of both literati painting and haiku poetry in Edo pe...
In the Meiji Restoration of 1868, the Meiji government implemented a wealth and military strength po...
At my last presentation, I tried to make some examination of what the populace has been conscious of...
In Oinokobumi Basho, thinking that there is only one that is appreciated commonly, put Saigyo and So...
Haiku poetry, although relatively unknown in America, is a very significant part of the culture and ...
The critical paper addresses the haiku and haibun of the seventeenth-century Japanese poet Matsuo Ba...
As Chinese poetry gained popularity in literary circles in the Early Edo Period, Matsuo Bashō began ...
This short article has the purpose of presenting the Japanese poetry known as haikai. His chief mast...
Formal aspects of haiku inform Roy Kiyooka’s 1969 travel journal Wheels. In contrast to earlier scho...
This paper traces the historical background of haiku (traditional Japanese short poems) and haiga (s...
This paper examines how kyō or eccentricity constituted an important part of the creativity of both ...
Basho is the greatest writer in Edo period that accomplished “Hokku-Travevls”. “Hokku-Travels”, in w...
P"Fukyo" is the manner of existence that Basho sought after during the last ten years of his life. T...
Book five of the earliest extant anthology of Japanese poetry, the eighth century Man'yoshu, is uniq...
When I attended the Meguro International Haiku Circle last year, I asked for ideas for presentation ...
Yosa Buson (1716-84) was a leading practitioner of both literati painting and haiku poetry in Edo pe...
In the Meiji Restoration of 1868, the Meiji government implemented a wealth and military strength po...
At my last presentation, I tried to make some examination of what the populace has been conscious of...
In Oinokobumi Basho, thinking that there is only one that is appreciated commonly, put Saigyo and So...
Haiku poetry, although relatively unknown in America, is a very significant part of the culture and ...
The critical paper addresses the haiku and haibun of the seventeenth-century Japanese poet Matsuo Ba...
As Chinese poetry gained popularity in literary circles in the Early Edo Period, Matsuo Bashō began ...
This short article has the purpose of presenting the Japanese poetry known as haikai. His chief mast...
Formal aspects of haiku inform Roy Kiyooka’s 1969 travel journal Wheels. In contrast to earlier scho...
This paper traces the historical background of haiku (traditional Japanese short poems) and haiga (s...
This paper examines how kyō or eccentricity constituted an important part of the creativity of both ...
Basho is the greatest writer in Edo period that accomplished “Hokku-Travevls”. “Hokku-Travels”, in w...
P"Fukyo" is the manner of existence that Basho sought after during the last ten years of his life. T...
Book five of the earliest extant anthology of Japanese poetry, the eighth century Man'yoshu, is uniq...
When I attended the Meguro International Haiku Circle last year, I asked for ideas for presentation ...
Yosa Buson (1716-84) was a leading practitioner of both literati painting and haiku poetry in Edo pe...