This article explores the role of the affective power of everyday objects in commemorations of war and conflict. It seeks to understand the transformative power of the everyday as a memory node and investigates how and why everyday objects can become carriers of an inclusive rendering of the past. Through a phenomenologically grounded reading of two exhibitions on the 1992-1995 siege of the Bosnian capital Sarajevo, the article theoretically advances the idea that everyday objects that are transformed into artefacts in museums expand our moral, mnemonic imagination and therefore potentially contribute to peace. A systematic analysis of the affective power of everyday objects is developed through three key conceptual lenses - authenticity, i...
Experiences of conflict rarely adhere to the historical confines of defined dates. Although the Seco...
This article centres on two East German museums exclusively dedicated to the storage and display of ...
This paper reflects upon the ability of a military museum to create diverserepresentations of war, t...
This article explores the role of the affective power of everyday objects in commemorations of war a...
This paper examines the contemporary ruins in relation to memory of conflict. It juxtaposes the well...
This paper presents a social semiotic analysis (Van Leeuwen, 2005) of two museums in Sarajevo treate...
This paper focuses on the problem of using the artifacts of a culture of peace in museum and educati...
This thesis explores the role of memory expressed as art in contexts of transitional justice, recogn...
Violent conflicts often leave a legacy of destroyed, ruptured or segregated political landscapes. Ac...
This article aims to analyse one specific type of memorial site that furnishes an indexical link to...
Mediating Memory in the Museum is a contribution to an emerging field of research which is situated ...
Screen media are increasingly a pervasive feature of our new memory landscape. Inside the museum the...
During the Cold War military and civil defence bunkers were an evocative materialisation of deadly m...
This chapter is based on the co-authors' research project on the memories of war, genocide and ...
“Can the Walk be Done, not Just the Talk?”Addressing the Conflict in Northern Ireland: The Contribut...
Experiences of conflict rarely adhere to the historical confines of defined dates. Although the Seco...
This article centres on two East German museums exclusively dedicated to the storage and display of ...
This paper reflects upon the ability of a military museum to create diverserepresentations of war, t...
This article explores the role of the affective power of everyday objects in commemorations of war a...
This paper examines the contemporary ruins in relation to memory of conflict. It juxtaposes the well...
This paper presents a social semiotic analysis (Van Leeuwen, 2005) of two museums in Sarajevo treate...
This paper focuses on the problem of using the artifacts of a culture of peace in museum and educati...
This thesis explores the role of memory expressed as art in contexts of transitional justice, recogn...
Violent conflicts often leave a legacy of destroyed, ruptured or segregated political landscapes. Ac...
This article aims to analyse one specific type of memorial site that furnishes an indexical link to...
Mediating Memory in the Museum is a contribution to an emerging field of research which is situated ...
Screen media are increasingly a pervasive feature of our new memory landscape. Inside the museum the...
During the Cold War military and civil defence bunkers were an evocative materialisation of deadly m...
This chapter is based on the co-authors' research project on the memories of war, genocide and ...
“Can the Walk be Done, not Just the Talk?”Addressing the Conflict in Northern Ireland: The Contribut...
Experiences of conflict rarely adhere to the historical confines of defined dates. Although the Seco...
This article centres on two East German museums exclusively dedicated to the storage and display of ...
This paper reflects upon the ability of a military museum to create diverserepresentations of war, t...