Scorsese and Religion explores and analyzes the religious vision of filmmaker Martin Scorsese’s oeuvre, showing that Scorsese cannot be properly understood without reflecting on the ways that his religious interests are expressed in and through his art.; Readership: This book will appeal to scholars, students, and non-specialist readers interested in film’s relation to philosophy, theology, and Christian spirituality
How plausible is it to examine the medium of film through a Christian lens? Are there any grounds fo...
A Companion to Martin Scorsese comprises original essays by prominent scholars on the career of film...
In this paper I continue a discussion implicit within the pages of a recent book, Flickering Images,...
Scorsese and Religion explores and analyzes the religious vision of filmmaker Martin Scorsese’s oeuv...
This is a book review of Catherine O\u27Brien, Martin Scorsese’s Divine Comedy: Movies and Religion,...
This is a book review of Christopher B. Barnett and Clark J. Elliston, eds., Scorsese and Religion (...
Academy Award–winning director Martin Scorsese is one of the most significant American filmmakers in...
The author examines Martin Scorsese\u27s rockumentary The Last Waltz of 1978 as an encounter between...
Catherine O’Brien draws on the structure of Dante’s Divine Comedy to explore Scorsese’s feature film...
Martin Scorsese is an outstanding contemporary director, who strongly influenced the artistic and ae...
Since its origins, both religious and spiritual dimensions are present in the cinema, an artform tha...
Martin Scorsese’s film The Last Temptation of Christ (1988) has polarised critics and audience...
This article outlines the role played by Martin Scorsese in the promotion of Italian cinema and in t...
The themes of redemptive violence, scapegoating, and ritual in the films of Martin Scorsese have pro...
Martin Scorsese is a crucial figure in American cinema, and one of the few filmmakers who has posses...
How plausible is it to examine the medium of film through a Christian lens? Are there any grounds fo...
A Companion to Martin Scorsese comprises original essays by prominent scholars on the career of film...
In this paper I continue a discussion implicit within the pages of a recent book, Flickering Images,...
Scorsese and Religion explores and analyzes the religious vision of filmmaker Martin Scorsese’s oeuv...
This is a book review of Catherine O\u27Brien, Martin Scorsese’s Divine Comedy: Movies and Religion,...
This is a book review of Christopher B. Barnett and Clark J. Elliston, eds., Scorsese and Religion (...
Academy Award–winning director Martin Scorsese is one of the most significant American filmmakers in...
The author examines Martin Scorsese\u27s rockumentary The Last Waltz of 1978 as an encounter between...
Catherine O’Brien draws on the structure of Dante’s Divine Comedy to explore Scorsese’s feature film...
Martin Scorsese is an outstanding contemporary director, who strongly influenced the artistic and ae...
Since its origins, both religious and spiritual dimensions are present in the cinema, an artform tha...
Martin Scorsese’s film The Last Temptation of Christ (1988) has polarised critics and audience...
This article outlines the role played by Martin Scorsese in the promotion of Italian cinema and in t...
The themes of redemptive violence, scapegoating, and ritual in the films of Martin Scorsese have pro...
Martin Scorsese is a crucial figure in American cinema, and one of the few filmmakers who has posses...
How plausible is it to examine the medium of film through a Christian lens? Are there any grounds fo...
A Companion to Martin Scorsese comprises original essays by prominent scholars on the career of film...
In this paper I continue a discussion implicit within the pages of a recent book, Flickering Images,...