Television before TV rethinks the history of interwar television by exploring the medium’s numerous demonstrations organized at national fairs and international exhibitions in the late 1920s and 1930s. Building upon extensive archival research in Britain, Germany, and the United States, Anne-Katrin Weber analyses the sites where the new medium met its first audiences. She argues that public displays were central to television’s social construction; for the historian, the exhibitions therefore constitute crucial events to understand not only the medium’s pre-war emergence, but also its subsequent domestication in the post-war years. Designed as a transnational study, her book highlights the multiple circulations of artefacts and ideas across...
Radio is only to a limited extent a ‘blind medium’. Visual and material aspects have long played a r...
This paper analyses the meaning of newness in television history by focusing on the French film Télé...
Radio is only to a limited extent a ‘blind medium’. Visual and material aspects have long played a r...
Television before TV rethinks the history of interwar television by exploring the medium's numerous ...
Television before TV rethinks the history of interwar television by exploring the medium’s numerous ...
Dès le milieu des années 1920 et le développement des premiers prototypes fonctionnels, la télévisio...
This material was excerpted from the book Framing the Past: The Historiography of German Cinema and ...
Television remains one of today’s most captivating and popular media. As such, its cultural signific...
Television is a significant mediator of past and historical events in modern media systems. In this ...
Radio is only to a limited extent a ‘blind medium’. Visual and material aspects have long played a r...
*Visions of Electric Media* is an historical examination into the early history of television, as it...
This essay looks into the intellectual life of télé-clubs, the collective television watching experi...
The final decades of the nineteenth century and the first decades of the twentieth century saw the i...
Radio is only to a limited extent a ‘blind medium’. Visual and material aspects have long played a r...
This essay looks into the intellectual life of télé-clubs, the collective television watching experi...
Radio is only to a limited extent a ‘blind medium’. Visual and material aspects have long played a r...
This paper analyses the meaning of newness in television history by focusing on the French film Télé...
Radio is only to a limited extent a ‘blind medium’. Visual and material aspects have long played a r...
Television before TV rethinks the history of interwar television by exploring the medium's numerous ...
Television before TV rethinks the history of interwar television by exploring the medium’s numerous ...
Dès le milieu des années 1920 et le développement des premiers prototypes fonctionnels, la télévisio...
This material was excerpted from the book Framing the Past: The Historiography of German Cinema and ...
Television remains one of today’s most captivating and popular media. As such, its cultural signific...
Television is a significant mediator of past and historical events in modern media systems. In this ...
Radio is only to a limited extent a ‘blind medium’. Visual and material aspects have long played a r...
*Visions of Electric Media* is an historical examination into the early history of television, as it...
This essay looks into the intellectual life of télé-clubs, the collective television watching experi...
The final decades of the nineteenth century and the first decades of the twentieth century saw the i...
Radio is only to a limited extent a ‘blind medium’. Visual and material aspects have long played a r...
This essay looks into the intellectual life of télé-clubs, the collective television watching experi...
Radio is only to a limited extent a ‘blind medium’. Visual and material aspects have long played a r...
This paper analyses the meaning of newness in television history by focusing on the French film Télé...
Radio is only to a limited extent a ‘blind medium’. Visual and material aspects have long played a r...