Add to ORKGThis presentation is a synthesis of my training and research on Intimacy Directing, supported by courses with Theatrical Intimacy Education and Intimacy Directors and Coordinators. In addition, this walks through actionable steps for Loyola\u27s Department of Fine and Performing Arts to take to create a brave, consent-based space in rehearsals and performance
Alli St. John shares her experience implementing her suggestions for building a culture of consent i...
We want performance to seduce us, and in its own way, performance wants to seduce us. But what form...
Postmarginality: Ethical Relationality of Theatre Rehearsal Practice Peter Farbridge As debates...
The field of intimacy work within the wider theatre industry is rapidly growing, and universities sh...
ASPAH conference 2021Addressing Intimacy on stage and on set in actor training.Intimacy direction, a...
"As a costume designer and director in academia and professional theatre, I have seen a rise in the ...
Undergraduate student Kaila Roach implores faculty of actor training programs to integrate consent-b...
This text is a partial record of the conception and development of Reflections of Red in a Mirror of...
M.Tech. Drama. Tshwane University of TechnologyThe aim and purpose of this study was to determine ho...
Choreographer and dancer Kyle Abraham and photographer and filmmaker Carrie Schneider position intim...
Building from the ideas and practices of Theatrical Intimacy Education which provide guidance on how...
The traditional power dynamic of theater rehearsal spaces is based in a culture in which the directo...
Brad Fraser\u27s play Unidentified Human Remains and the True Nature of Love deals with love and re...
The data for this study are ethnographic participant/observation and conversation analytic collectio...
In the summer of 2018, an emerging theatre company produced Stop Kiss by Diana Son in Waterloo, Iowa...
Alli St. John shares her experience implementing her suggestions for building a culture of consent i...
We want performance to seduce us, and in its own way, performance wants to seduce us. But what form...
Postmarginality: Ethical Relationality of Theatre Rehearsal Practice Peter Farbridge As debates...
The field of intimacy work within the wider theatre industry is rapidly growing, and universities sh...
ASPAH conference 2021Addressing Intimacy on stage and on set in actor training.Intimacy direction, a...
"As a costume designer and director in academia and professional theatre, I have seen a rise in the ...
Undergraduate student Kaila Roach implores faculty of actor training programs to integrate consent-b...
This text is a partial record of the conception and development of Reflections of Red in a Mirror of...
M.Tech. Drama. Tshwane University of TechnologyThe aim and purpose of this study was to determine ho...
Choreographer and dancer Kyle Abraham and photographer and filmmaker Carrie Schneider position intim...
Building from the ideas and practices of Theatrical Intimacy Education which provide guidance on how...
The traditional power dynamic of theater rehearsal spaces is based in a culture in which the directo...
Brad Fraser\u27s play Unidentified Human Remains and the True Nature of Love deals with love and re...
The data for this study are ethnographic participant/observation and conversation analytic collectio...
In the summer of 2018, an emerging theatre company produced Stop Kiss by Diana Son in Waterloo, Iowa...
Alli St. John shares her experience implementing her suggestions for building a culture of consent i...
We want performance to seduce us, and in its own way, performance wants to seduce us. But what form...
Postmarginality: Ethical Relationality of Theatre Rehearsal Practice Peter Farbridge As debates...