Petro-modernity is a local phenomenon essential to the history of Kuwait, while also a global experience and one of the prime sources of climate change. The book investigates petroleum’s role in the visual culture of Kuwait to understand the intersecting ideologies of modernization, political representation, and oil. The notion of iridescence, the ambiguous yet mesmerizing effect of a rainbowlike color play, serves as analytical-aesthetic concept to discuss petroleum’s ambiguous contribution to modernity: both promise of prosperity and destructive force of socio-cultural and ecological environments. Covering a broad spectrum of historical material from aerial and color photography, visual arts, postage stamps, and master plans to architectu...
The concept of the Global Petroleumspace is an analytical tool which engages the roles which differe...
The concept of the Global Petroleumspace is an analytical tool which engages the roles which differe...
This paper analyzes Abdel Munif’s Cities of Salt and Amitav Ghosh’s The Circle...
Petro-modernity is a local phenomenon essential to the history of Kuwait, while also a global experi...
Petro-modernity is a local phenomenon essential to the history of Kuwait, while also a global experi...
Petro-modernity is a local phenomenon essential to the history of Kuwait, while also a global experi...
Petro-modernity is a local phenomenon essential to the history of Kuwait, while also a global experi...
What does the cover of government gazette al Kuwayt al yawm (لكويت اليوم) and historic postage stamp...
The petroleum promise has fueled imaginaries of the future. Across the globe and especially for Arab...
This paper explores the situated perspectives and artistic practices of imagining the Arab Gulf stat...
This article examines three cases of mid-20th-century oil media—oil-related imagery, iconographies, ...
Chemically, oil and water do not mix, but in Kuwait the history of oil and the history of water flow...
In the twentieth century, oil companies played a decisive role in producing and disseminating inform...
Kuwait City was the first settlement along the Persian Gulf´s western shore to experience a rapid tr...
The concept of the Global Petroleumspace is an analytical tool which engages the roles which differe...
The concept of the Global Petroleumspace is an analytical tool which engages the roles which differe...
The concept of the Global Petroleumspace is an analytical tool which engages the roles which differe...
This paper analyzes Abdel Munif’s Cities of Salt and Amitav Ghosh’s The Circle...
Petro-modernity is a local phenomenon essential to the history of Kuwait, while also a global experi...
Petro-modernity is a local phenomenon essential to the history of Kuwait, while also a global experi...
Petro-modernity is a local phenomenon essential to the history of Kuwait, while also a global experi...
Petro-modernity is a local phenomenon essential to the history of Kuwait, while also a global experi...
What does the cover of government gazette al Kuwayt al yawm (لكويت اليوم) and historic postage stamp...
The petroleum promise has fueled imaginaries of the future. Across the globe and especially for Arab...
This paper explores the situated perspectives and artistic practices of imagining the Arab Gulf stat...
This article examines three cases of mid-20th-century oil media—oil-related imagery, iconographies, ...
Chemically, oil and water do not mix, but in Kuwait the history of oil and the history of water flow...
In the twentieth century, oil companies played a decisive role in producing and disseminating inform...
Kuwait City was the first settlement along the Persian Gulf´s western shore to experience a rapid tr...
The concept of the Global Petroleumspace is an analytical tool which engages the roles which differe...
The concept of the Global Petroleumspace is an analytical tool which engages the roles which differe...
The concept of the Global Petroleumspace is an analytical tool which engages the roles which differe...
This paper analyzes Abdel Munif’s Cities of Salt and Amitav Ghosh’s The Circle...