Add to ORKGDiscusses the history of choral and instrumental music in Europe during the Renaissance (1420 to 1570), focusing on how the music of the Church changed from Gregorian chant to palestrina, and the increasing popularity of instrumental music
The musical notation of the northern Italian Benedictine abbey of St Sylvester in Nonantola has hith...
Scholars agree that the first Christians worshipped with music, yet the origins and practices of the...
The fact that human beings want to make music, as well as all other forms of art, is a given of huma...
International audienceThe collegiate church of Our Lady in Antwerp played an important role in the d...
The Reformation was the movement in the arts and religious life of western Europe in the sixteenth c...
ABSTRACT: The migration of musical art forms, from one nation to another, from one century to anothe...
Authentic music and instruments are used by various European performers in performances located in c...
This volume unites a collection of articles which illustrate the complexity of European cultural his...
The article deals with the formation of sacred music by Christians in the early Middle Ages. Basing ...
The concept of “the spirit of the time” includes in various historical periods a number of fields of...
Texte disponible mis en page sur le site de l'éditeur : http://em.oxfordjournals.org/content/37/3.to...
The purpose of the article is to identify the place of instrumental music in the medieval system of ...
Within the Judaeo-Christian tradition, with few exceptions, music has always been central to the per...
This research paper explores how dance music has been part of the foundation for musical art in worl...
situates the pastoral as a vital and influential genre in the cultural fabric of sixteenth-century I...
The musical notation of the northern Italian Benedictine abbey of St Sylvester in Nonantola has hith...
Scholars agree that the first Christians worshipped with music, yet the origins and practices of the...
The fact that human beings want to make music, as well as all other forms of art, is a given of huma...
International audienceThe collegiate church of Our Lady in Antwerp played an important role in the d...
The Reformation was the movement in the arts and religious life of western Europe in the sixteenth c...
ABSTRACT: The migration of musical art forms, from one nation to another, from one century to anothe...
Authentic music and instruments are used by various European performers in performances located in c...
This volume unites a collection of articles which illustrate the complexity of European cultural his...
The article deals with the formation of sacred music by Christians in the early Middle Ages. Basing ...
The concept of “the spirit of the time” includes in various historical periods a number of fields of...
Texte disponible mis en page sur le site de l'éditeur : http://em.oxfordjournals.org/content/37/3.to...
The purpose of the article is to identify the place of instrumental music in the medieval system of ...
Within the Judaeo-Christian tradition, with few exceptions, music has always been central to the per...
This research paper explores how dance music has been part of the foundation for musical art in worl...
situates the pastoral as a vital and influential genre in the cultural fabric of sixteenth-century I...
The musical notation of the northern Italian Benedictine abbey of St Sylvester in Nonantola has hith...
Scholars agree that the first Christians worshipped with music, yet the origins and practices of the...
The fact that human beings want to make music, as well as all other forms of art, is a given of huma...