In this 2nd part of the Oresteia trilogy by Aeschylus, Agamemnon's son Orestes returns from exile and dedicates a lock of his hair on his father's tomb. He and his sister Electra recognize each other as Electra offers libations at the tomb and both swear to avenge their father's death. Entering Agamemnon's palace in disguise, Orestes kills Aegisthus and then his mother Clytemnestra. Threatened by the Furies, he flees to seek Apollo's help.Performed by the National Theatre of Great Britain. Cameramen, Dave Swan, Barrie Dodd, Paul Martingell ; editor, Toby Wallis ; music, Harrison Birtwistle
Praca sklada się z czterech części: wstępu, szczegółowego streszczenia "Orestei", jej analizy oraz z...
2v. 22cm.Vol. 1 translated by Richmond Lattimore; vol. 2, by Seth G. Benardete and David Grene.[1] ...
At ll. 431-63 of Sophocles’ Electra, the main character persuades her sister Chrysothemis to throw a...
In this 3rd part of the Oresteia trilogy by Aeschylus, Orestes is now pursued by the Furies, after h...
Black and white photograph of Len Cariou as Orestes in claiming matricidal revenge from Clytemnestra...
“It’s a nightmare, really.” Orestes returns from exile to take revenge for his father’s death. From ...
University of Minnesota, Morris production of Electra by Sophocles and directed by Raymond Lammers. ...
In the logic of tragedy, Clytemnestra represents the distorted anti-model in regard to gender-role a...
The chorus of Choephori has been considered as an example of a most active intervention in Aeschylus...
Black and white photograph of Lee Richardson as Apollo and Len Cariou as Orestes, in a scene from ch...
University of Minnesota, Morris production of Medea by Euripides, adapted by Robinson Jeffers and di...
University of Minnesota, Morris production of Medea by Euripides, translated by Frederic Raphael & K...
In Persians, Aeschylus introduces the first appearance of a ghost on the theatrical stage. Darius\u2...
University of Minnesota, Morris production of Medea by Euripides, adapted by Rex Warner and directed...
In one of the central scenes of Aeschylus' Choephori, Orestes enacts a peculiar kind of "peira" on h...
Praca sklada się z czterech części: wstępu, szczegółowego streszczenia "Orestei", jej analizy oraz z...
2v. 22cm.Vol. 1 translated by Richmond Lattimore; vol. 2, by Seth G. Benardete and David Grene.[1] ...
At ll. 431-63 of Sophocles’ Electra, the main character persuades her sister Chrysothemis to throw a...
In this 3rd part of the Oresteia trilogy by Aeschylus, Orestes is now pursued by the Furies, after h...
Black and white photograph of Len Cariou as Orestes in claiming matricidal revenge from Clytemnestra...
“It’s a nightmare, really.” Orestes returns from exile to take revenge for his father’s death. From ...
University of Minnesota, Morris production of Electra by Sophocles and directed by Raymond Lammers. ...
In the logic of tragedy, Clytemnestra represents the distorted anti-model in regard to gender-role a...
The chorus of Choephori has been considered as an example of a most active intervention in Aeschylus...
Black and white photograph of Lee Richardson as Apollo and Len Cariou as Orestes, in a scene from ch...
University of Minnesota, Morris production of Medea by Euripides, adapted by Robinson Jeffers and di...
University of Minnesota, Morris production of Medea by Euripides, translated by Frederic Raphael & K...
In Persians, Aeschylus introduces the first appearance of a ghost on the theatrical stage. Darius\u2...
University of Minnesota, Morris production of Medea by Euripides, adapted by Rex Warner and directed...
In one of the central scenes of Aeschylus' Choephori, Orestes enacts a peculiar kind of "peira" on h...
Praca sklada się z czterech części: wstępu, szczegółowego streszczenia "Orestei", jej analizy oraz z...
2v. 22cm.Vol. 1 translated by Richmond Lattimore; vol. 2, by Seth G. Benardete and David Grene.[1] ...
At ll. 431-63 of Sophocles’ Electra, the main character persuades her sister Chrysothemis to throw a...