Following ‘Sink II’ the artefact ‘Anatomical Deconstruction V’ de-emphasises processes of making by further abstracting forms. The work thematises anatomical references in association with found objects. Sheet glass is assembled in a deliberate low-tech manner to create precarious supporting structures for utilitarian ceramic fragments. ‘Wilful amateurism’ is employed to achieve spontaneous outcomes which placing the concept at the forefront of the work. The theoretical validity of non-technical approaches is made most apparent as the glass responds directly to the broken ceramic.\ud \ud This artefact was included in New Glass Review 34, published in spring 2013, an annual survey of contemporary glass undertaken by The Corning Museum of Gla...
Excavations by Oxford Archaeology North in 2003 revealed extensive structural remains of the former ...
The period of 1860 to 1935 was one of great change in glass manufacturing as well as glass decorativ...
‘Sink II,’ a cut, ground sheet glass assemblage with a ceramic found object, featured in the British...
Following ‘Sink II’ the artefact ‘Anatomical Deconstruction V’ de-emphasises processes of making by ...
A continuation of the ‘Anatomical Deconstruction’ series, 'Anatomical Deconstruction VII' de-emphasi...
I respond to bone-like ceramic fragments in pursuit of a personal material language of purposeful ‘r...
Dealing with narratives relating to corporeal vulnerabilities, sinew II is in part initially a respo...
Metamorphosis and Transformation was created during artist-in-residency programmes at the Museum of ...
By analysing the relationship between drawing and actual object, it is observed that the design of g...
This article aims to focus on the versatile material of glass and to explore the unique potential of...
My research is about combining recycled materials with glass structures to produce textile artworks ...
none1noBy analysing the relationship between drawing and actual object, it is observed that the desi...
This practice -led thesis is based on a study of the use of encased voids or bubbles in glass. The ...
The endless possibilies of glass are inspiring. It has the ability to not only reflect, but its unbe...
This paper is an experimental exercise that thinks through the materiality of an ancient glass flask...
Excavations by Oxford Archaeology North in 2003 revealed extensive structural remains of the former ...
The period of 1860 to 1935 was one of great change in glass manufacturing as well as glass decorativ...
‘Sink II,’ a cut, ground sheet glass assemblage with a ceramic found object, featured in the British...
Following ‘Sink II’ the artefact ‘Anatomical Deconstruction V’ de-emphasises processes of making by ...
A continuation of the ‘Anatomical Deconstruction’ series, 'Anatomical Deconstruction VII' de-emphasi...
I respond to bone-like ceramic fragments in pursuit of a personal material language of purposeful ‘r...
Dealing with narratives relating to corporeal vulnerabilities, sinew II is in part initially a respo...
Metamorphosis and Transformation was created during artist-in-residency programmes at the Museum of ...
By analysing the relationship between drawing and actual object, it is observed that the design of g...
This article aims to focus on the versatile material of glass and to explore the unique potential of...
My research is about combining recycled materials with glass structures to produce textile artworks ...
none1noBy analysing the relationship between drawing and actual object, it is observed that the desi...
This practice -led thesis is based on a study of the use of encased voids or bubbles in glass. The ...
The endless possibilies of glass are inspiring. It has the ability to not only reflect, but its unbe...
This paper is an experimental exercise that thinks through the materiality of an ancient glass flask...
Excavations by Oxford Archaeology North in 2003 revealed extensive structural remains of the former ...
The period of 1860 to 1935 was one of great change in glass manufacturing as well as glass decorativ...
‘Sink II,’ a cut, ground sheet glass assemblage with a ceramic found object, featured in the British...