I will discuss six art works that have a range of characteristics, but can all be unified through the notion of surface, both physically and conceptually. I will investigate how ideas of taste, assumption, collage, façade, figure/ground, display and value can all be seen through this lens. Much significance and symbolism is imbued in such a thin layer and I am actively aware of this as I work. The way I construct and render my subjects and the space in which they reside determines how they are viewed, perceived, considered, and judged by others
The thesis is to describe the works in one particular exhibition, and to explain in part the evoluti...
This practice-based research project centres on the retrospective activation of the painted surface ...
As an artist, I am fascinated by surfaces and the stories they tell. I have observed that places and...
This research project presents a number of approaches towards the surfaces produced within my own pr...
This thesis paper supports the Master of Fine Arts exhibition at the Tipton Gallery, East Tennessee ...
My work is motivated by the painting “as such” – as an inquiry into and intervention upon what const...
In presenting my work to you the viewer and the reader, I am faced with the perplexity of openly exh...
Painting is customarily understood as a form of mark making that renders materials and arrangements ...
This research will trace changes in approaches to pictorial space, image surface and materiality fro...
The exhibited thesis paintings are intended to communicate a maximum amount of information to the vi...
My work attempts to develop the relationship between optical and formal painting traditions in moder...
The relationship between surface, perception, and structure has occupied my graduate studies. Locati...
The Thesis consisted of a painting show held at Gallery II, in the Fine Arts Building at California ...
If surface is still the material condition of painting – both its poverty and its gift – then how ca...
The world around us is filled with materials. Our ability of visual material perception informs us h...
The thesis is to describe the works in one particular exhibition, and to explain in part the evoluti...
This practice-based research project centres on the retrospective activation of the painted surface ...
As an artist, I am fascinated by surfaces and the stories they tell. I have observed that places and...
This research project presents a number of approaches towards the surfaces produced within my own pr...
This thesis paper supports the Master of Fine Arts exhibition at the Tipton Gallery, East Tennessee ...
My work is motivated by the painting “as such” – as an inquiry into and intervention upon what const...
In presenting my work to you the viewer and the reader, I am faced with the perplexity of openly exh...
Painting is customarily understood as a form of mark making that renders materials and arrangements ...
This research will trace changes in approaches to pictorial space, image surface and materiality fro...
The exhibited thesis paintings are intended to communicate a maximum amount of information to the vi...
My work attempts to develop the relationship between optical and formal painting traditions in moder...
The relationship between surface, perception, and structure has occupied my graduate studies. Locati...
The Thesis consisted of a painting show held at Gallery II, in the Fine Arts Building at California ...
If surface is still the material condition of painting – both its poverty and its gift – then how ca...
The world around us is filled with materials. Our ability of visual material perception informs us h...
The thesis is to describe the works in one particular exhibition, and to explain in part the evoluti...
This practice-based research project centres on the retrospective activation of the painted surface ...
As an artist, I am fascinated by surfaces and the stories they tell. I have observed that places and...