At the turn of the twentieth century vaudeville was the most prevalent form of theatrical entertainment. With more than 1,500 houses across the country, vaudeville reached in excess of 30 million audience members each year. It directly led to the advent of film and radio. Yet barely one hundred years later vaudeville has been forgotten by the once loyal masses. This guide is meant to help counter vaudeville’s fall. By adding together a basic script consisting of comedy and dramatic sketches, original works and classic vaudeville acts with music and information on the how and whys of vaudeville, this guide will assist others in creating a vaudeville performance with the hope that vaudeville may once again reach the heights of its popul...
This project examines the effects of a variety of popular amusements on the development of American ...
In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences w...
This thesis examined the modern renaissance man and his relationship between musical theatre history...
Vaudeville was an expressive, innovative, and quirky form of popular entertainment in America that s...
The greatest thing that vaudeville contributed to the legitimate theatre and to films was talented a...
Includes bibliographical references (pages 54-73), recorded video files in MOV and MP4 formats, 47:2...
The agency of working people in the making of Australian history has not been recognised in the scho...
This study affords an entirely new view of the nature of modern popular entertainment. American vaud...
The vaudeville criticism of Epes Winthrop Sargent provides an untapped source of information about v...
Vaudeville was the most popular form of entertainment in the United States, from roughly the 1890s t...
There is no fourth wall in popular performance. The show is firmly rooted in the here and now, and t...
Vaudeville is as old as humanity, and in one form or another will endure as long as people seek laug...
This project establishes the crucial role vaudeville played in the legal reforms, cultural evolution...
There is no significant scholarly work on the history of the Russian vaudeville. The author of the ...
This play has come a long way. This play started off as a series of sketch scenes about an incompete...
This project examines the effects of a variety of popular amusements on the development of American ...
In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences w...
This thesis examined the modern renaissance man and his relationship between musical theatre history...
Vaudeville was an expressive, innovative, and quirky form of popular entertainment in America that s...
The greatest thing that vaudeville contributed to the legitimate theatre and to films was talented a...
Includes bibliographical references (pages 54-73), recorded video files in MOV and MP4 formats, 47:2...
The agency of working people in the making of Australian history has not been recognised in the scho...
This study affords an entirely new view of the nature of modern popular entertainment. American vaud...
The vaudeville criticism of Epes Winthrop Sargent provides an untapped source of information about v...
Vaudeville was the most popular form of entertainment in the United States, from roughly the 1890s t...
There is no fourth wall in popular performance. The show is firmly rooted in the here and now, and t...
Vaudeville is as old as humanity, and in one form or another will endure as long as people seek laug...
This project establishes the crucial role vaudeville played in the legal reforms, cultural evolution...
There is no significant scholarly work on the history of the Russian vaudeville. The author of the ...
This play has come a long way. This play started off as a series of sketch scenes about an incompete...
This project examines the effects of a variety of popular amusements on the development of American ...
In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences w...
This thesis examined the modern renaissance man and his relationship between musical theatre history...