This analysis of Foucault's ‘What is an Author?’ produces three main findings. First, Foucault was arguing—subtly yet powerfully—against Barthes's ‘The Death of the Author’. Second, ‘What is an author?’ systematically mystified the figure of the text, even as it clarified the figure of the author by revealing that figure to be an interpretative construct. Third, Foucault's achievement was vitiated by the terms in which it was cast, for his concept of the ‘author-function’ obliterated the personal quality of the author-figure. It is suggested in conclusion that all such interpretative figures—‘text’ as well as ‘author’, and many others besides—merit critical analysis, since these embody the fore-having which precedes interpretation
This article analyses Foucault’s 1972–3 lecture course, La société punitive. While the course can ce...
This introduction to the special issue ‘Foucault before the Collège de France’ surveys Foucault’s wo...
本研究參考法國哲學家傅柯對於作者的看法,重新審視作者的概念,並利用此一別於知識組織領域的觀點來判斷一個作品的作者。本研究以《論語》20篇內文作為研究對象,分析其話語內容與形式,瞭解誰是發言主體,進而論...
This analysis of Foucault's ‘What is an Author?’ produces three main findings. First, Foucault was a...
In this paper, we appraise the thoughts of Foucault on the relationship between the author, work, an...
At several points throughout his career, Foucault suggests that publishing texts without authors’ na...
This article outlines selected shifts in thinking about authorship and authority that have occurred ...
This publication is with permission of the rights owner freely accessible due to an Alliance licence...
This essay examines recent debate on the status of the author in contemporary literature by means of...
This contribution would like to start from Michel Foucault’s remarks on “the name of the author” and...
In the course of this essay I wish to reopen the (never fully closed) question of whether it is advi...
Much has been written on Michel Foucault’s reluctance to clearly delineate a research method, partic...
Foucault’s posthumously-published late work on epimeleia heautou might inaugurate a new partnership ...
Based on Foucault's exploration of the author-function, the current study investigates knowledge org...
La idea moderna de la "figura de autor" debe mucho, de manera irreversible, a los dos ensayos de Rol...
This article analyses Foucault’s 1972–3 lecture course, La société punitive. While the course can ce...
This introduction to the special issue ‘Foucault before the Collège de France’ surveys Foucault’s wo...
本研究參考法國哲學家傅柯對於作者的看法,重新審視作者的概念,並利用此一別於知識組織領域的觀點來判斷一個作品的作者。本研究以《論語》20篇內文作為研究對象,分析其話語內容與形式,瞭解誰是發言主體,進而論...
This analysis of Foucault's ‘What is an Author?’ produces three main findings. First, Foucault was a...
In this paper, we appraise the thoughts of Foucault on the relationship between the author, work, an...
At several points throughout his career, Foucault suggests that publishing texts without authors’ na...
This article outlines selected shifts in thinking about authorship and authority that have occurred ...
This publication is with permission of the rights owner freely accessible due to an Alliance licence...
This essay examines recent debate on the status of the author in contemporary literature by means of...
This contribution would like to start from Michel Foucault’s remarks on “the name of the author” and...
In the course of this essay I wish to reopen the (never fully closed) question of whether it is advi...
Much has been written on Michel Foucault’s reluctance to clearly delineate a research method, partic...
Foucault’s posthumously-published late work on epimeleia heautou might inaugurate a new partnership ...
Based on Foucault's exploration of the author-function, the current study investigates knowledge org...
La idea moderna de la "figura de autor" debe mucho, de manera irreversible, a los dos ensayos de Rol...
This article analyses Foucault’s 1972–3 lecture course, La société punitive. While the course can ce...
This introduction to the special issue ‘Foucault before the Collège de France’ surveys Foucault’s wo...
本研究參考法國哲學家傅柯對於作者的看法,重新審視作者的概念,並利用此一別於知識組織領域的觀點來判斷一個作品的作者。本研究以《論語》20篇內文作為研究對象,分析其話語內容與形式,瞭解誰是發言主體,進而論...