Add to ORKGAn interactive evocation of Chapter Arts Centre. Be guided into past events through interwoven stories of rumours, fact, intrigue and memory as you wander through spaces not really there, with disembodied voices and a constructed sense of place. 'Whispers, Echoes and Tall Tales' was constructed using oral histories and archival documents. What was created was an audio collage and embodiment that attempted to evoke an absent place
The work explored the relationship between music and memory; it used as its main content accounts ab...
(Untitled) Memory and Forgetting was commissioned by PEALS (Policy Ethics and Life Sciences) and mad...
An interactive installation at Goldsmiths University London as part of a 3 day conference in collabo...
In this new work created for the South London Gallery, Furlong used voices, primary and incidental s...
‘Whispers of the Past’ presents a collection of 10 stories drawn from archive oral history recording...
The development of digital and portable media devices has led to the emergence of new and experiment...
In this paper I explore the concepts of sound and silence focusing upon creative modalities for the ...
The Intangible Archive, developed by art and design historian Jeanie Sinclair and sound artist Phili...
Stories are how we understand the world around us. Every day we read stories in newspapers or magazi...
This paper will address how listening may activate a sense of engagement with the past. Do past eve...
Podcasts are useful for influencing the way the audience thinks – audio drama especially lends itsel...
Sound is inherently uncanny. Literally invisible, it stealthily permeates our environment. This is w...
History is so often told through objects (that you look at), images and photographs, but the potenti...
The written thesis of my work puts forth stories, reflections, and the analysis of my graduate resea...
This composition is based on interviews of local people who talk about night bombing during WW2 and ...
The work explored the relationship between music and memory; it used as its main content accounts ab...
(Untitled) Memory and Forgetting was commissioned by PEALS (Policy Ethics and Life Sciences) and mad...
An interactive installation at Goldsmiths University London as part of a 3 day conference in collabo...
In this new work created for the South London Gallery, Furlong used voices, primary and incidental s...
‘Whispers of the Past’ presents a collection of 10 stories drawn from archive oral history recording...
The development of digital and portable media devices has led to the emergence of new and experiment...
In this paper I explore the concepts of sound and silence focusing upon creative modalities for the ...
The Intangible Archive, developed by art and design historian Jeanie Sinclair and sound artist Phili...
Stories are how we understand the world around us. Every day we read stories in newspapers or magazi...
This paper will address how listening may activate a sense of engagement with the past. Do past eve...
Podcasts are useful for influencing the way the audience thinks – audio drama especially lends itsel...
Sound is inherently uncanny. Literally invisible, it stealthily permeates our environment. This is w...
History is so often told through objects (that you look at), images and photographs, but the potenti...
The written thesis of my work puts forth stories, reflections, and the analysis of my graduate resea...
This composition is based on interviews of local people who talk about night bombing during WW2 and ...
The work explored the relationship between music and memory; it used as its main content accounts ab...
(Untitled) Memory and Forgetting was commissioned by PEALS (Policy Ethics and Life Sciences) and mad...
An interactive installation at Goldsmiths University London as part of a 3 day conference in collabo...