This paper describes how far Sinhalese and Tamil ethnicity influences the performing arts and the artiste’s practice. Here a further description will be given about the particular changes that took place regarding ethnicity during the pre-colonial, colonial and post-colonial periods and how such changes affected the artiste. Attention is paid to the separate establishment of ethnic groups such as Sinhalese and Tamil across the plantation economy during the British colonial period and how the Sinhalese-Tamil political divisions influenced the artiste and the arts
This study explores the impact of war on the internal fragmentation of traditional status groups in ...
When the Sri Lankan performing art was analysed, a clear-cut difference in gender-typed participatio...
none1noThe paper explores the use of Bharata Natyam, a South Indian dance style, in the context of t...
Mahavamsa , the most widely cited historical Pali chronicle, records information about the performin...
Mahavamsa , the most widely cited historical Pali chronicle, records information about the performin...
The study attempts to discuss the role of ethnicity and its socio-economic and political implication...
Each ethnic group living in a world of cultural design shapes their musical traditions according to ...
When the Sri Lankan performing art was analysed, a clear-cut difference in gender-typed participatio...
The paper analyses the effects of modernisation processes on the development of ethnicity and intere...
From the 1830s until the 1930s, millions of Indians migrated to work on plantations throughout the B...
This paper is centred upon the prevalence and growing popularity of Bharatanatyam in Singapore throu...
This paper discusses a successful performing arts workshop, conducted by traditional Sri Lankan prof...
Includes bibliographical references and index.Introduction: social history of baila -- Musicological...
Revised and expanded version of paper presented at 'Culture and economy in the Indian Diaspora' conf...
Malaysia is a multiracial, multicultural country. The Chinese and the Indians came here to trade. So...
This study explores the impact of war on the internal fragmentation of traditional status groups in ...
When the Sri Lankan performing art was analysed, a clear-cut difference in gender-typed participatio...
none1noThe paper explores the use of Bharata Natyam, a South Indian dance style, in the context of t...
Mahavamsa , the most widely cited historical Pali chronicle, records information about the performin...
Mahavamsa , the most widely cited historical Pali chronicle, records information about the performin...
The study attempts to discuss the role of ethnicity and its socio-economic and political implication...
Each ethnic group living in a world of cultural design shapes their musical traditions according to ...
When the Sri Lankan performing art was analysed, a clear-cut difference in gender-typed participatio...
The paper analyses the effects of modernisation processes on the development of ethnicity and intere...
From the 1830s until the 1930s, millions of Indians migrated to work on plantations throughout the B...
This paper is centred upon the prevalence and growing popularity of Bharatanatyam in Singapore throu...
This paper discusses a successful performing arts workshop, conducted by traditional Sri Lankan prof...
Includes bibliographical references and index.Introduction: social history of baila -- Musicological...
Revised and expanded version of paper presented at 'Culture and economy in the Indian Diaspora' conf...
Malaysia is a multiracial, multicultural country. The Chinese and the Indians came here to trade. So...
This study explores the impact of war on the internal fragmentation of traditional status groups in ...
When the Sri Lankan performing art was analysed, a clear-cut difference in gender-typed participatio...
none1noThe paper explores the use of Bharata Natyam, a South Indian dance style, in the context of t...