This article explores historical representations of Liverpool in two television dramas: ITV’s Cilla (2014) and the BBC’s Boys from the Blackstuff (1982). It is concerned with the ways that television drama can both record and recreate places from the past. Focussing on two dramas set in Liverpool at formative moments in the city’s past, it considers the centrality of an evocation of place and specifically the space of the city to both series and the ways that television dramas that mobilise such a strong sense place can become intrinsic to the heritage and history of the places they depict. </jats:p
This article examines the representation of the past on British television. As a response to the per...
This article examines the representation of the past on British television. As a response to the per...
This article examines the representation of the past on British television. As a response to the per...
Of the roughly 300 Play for Today dramas, a dozen have a non-white writer or director and/or deal wi...
The article argues that the working-class realism of post-WWII British television single drama is ne...
Of the roughly 300 Play for Today dramas, a dozen have a non-white writer or director and/or deal wi...
Since the early days of film Berlin and the film studios in its suburbs was an important site of pro...
This article examines the work of playwright Leo Lehman for British television in the 1950s and 1960...
This article examines the representation of the past on British television. As a response to the per...
This article examines the representation of the past on British television. As a response to the per...
From the 25 years of its original broadcast on British television in December 1986, this article aim...
From the 25 years of its original broadcast on British television in December 1986, this article aim...
The social significance of visits to television and film locations has been little studied. This art...
The social significance of visits to television and film locations has been little studied. This art...
This article examines the representation of the past on British television. As a response to the per...
This article examines the representation of the past on British television. As a response to the per...
This article examines the representation of the past on British television. As a response to the per...
This article examines the representation of the past on British television. As a response to the per...
Of the roughly 300 Play for Today dramas, a dozen have a non-white writer or director and/or deal wi...
The article argues that the working-class realism of post-WWII British television single drama is ne...
Of the roughly 300 Play for Today dramas, a dozen have a non-white writer or director and/or deal wi...
Since the early days of film Berlin and the film studios in its suburbs was an important site of pro...
This article examines the work of playwright Leo Lehman for British television in the 1950s and 1960...
This article examines the representation of the past on British television. As a response to the per...
This article examines the representation of the past on British television. As a response to the per...
From the 25 years of its original broadcast on British television in December 1986, this article aim...
From the 25 years of its original broadcast on British television in December 1986, this article aim...
The social significance of visits to television and film locations has been little studied. This art...
The social significance of visits to television and film locations has been little studied. This art...
This article examines the representation of the past on British television. As a response to the per...
This article examines the representation of the past on British television. As a response to the per...
This article examines the representation of the past on British television. As a response to the per...
This article examines the representation of the past on British television. As a response to the per...