‘Whispers of the Past’ presents a collection of 10 stories drawn from archive oral history recordings of men and women who worked at the Chatham Dockyard before it became a museum. We hear personal accounts, moving stories, descriptions, memories and anecdotes that become vivid and alive again through the voices of those who experienced them. The soundwalk is presented at the Chatham Historic Dockyard, a maritime heritage site, through the free downloadable Echoes app. As visitors move across the site they trigger sounds and memories on their mobile devices creating new resonances with this iconic location. This collection of 10 short stories was commissioned by SparkedEcho as part of the Electric Medway Festival taking place between 21-30 ...
What Lies Unspoken is a participatory sound intervention developed by Dr Temi Odumosu from the Livin...
This article is concerned with the history and practice of creating sound walks or ‘memoryscapes’: o...
The thesis explores soundwalking, memory and aural history through participatory exploration. My eth...
The Oral History Archive at Chatham Historic Dockyard provides an insight into the daily routines of...
A former worker of the dockyard recalls the coal-burning ships, and how coal had to be carried on to...
A former shipwright recalls an incident at the Chatham Dockyard, when a dry dock holding a submarine...
This composition is based on interviews of local people who talk about night bombing during WW2 and ...
History is so often told through objects (that you look at), images and photographs, but the potenti...
The installation History Revisited presents tales of Chatham Dockyard, recounted by voices of the pa...
Histories are primarily documented in visual or written form. Our ‘Sonic Palimpsest’ project seeks t...
<p class="BasicParagraph">As a series of yearly exhibitions emerging from an organic process, Sound ...
Item 1: 300 word statement. Sifting Through and Sounding Out: Creative Applications of Sounds From t...
The paper, in the international peer reviewed journal Organised Sound (CUP), documents and discusses...
An interactive evocation of Chapter Arts Centre. Be guided into past events through interwoven s...
This book chapter investigates the ways in which place and mobility have become major concerns for g...
What Lies Unspoken is a participatory sound intervention developed by Dr Temi Odumosu from the Livin...
This article is concerned with the history and practice of creating sound walks or ‘memoryscapes’: o...
The thesis explores soundwalking, memory and aural history through participatory exploration. My eth...
The Oral History Archive at Chatham Historic Dockyard provides an insight into the daily routines of...
A former worker of the dockyard recalls the coal-burning ships, and how coal had to be carried on to...
A former shipwright recalls an incident at the Chatham Dockyard, when a dry dock holding a submarine...
This composition is based on interviews of local people who talk about night bombing during WW2 and ...
History is so often told through objects (that you look at), images and photographs, but the potenti...
The installation History Revisited presents tales of Chatham Dockyard, recounted by voices of the pa...
Histories are primarily documented in visual or written form. Our ‘Sonic Palimpsest’ project seeks t...
<p class="BasicParagraph">As a series of yearly exhibitions emerging from an organic process, Sound ...
Item 1: 300 word statement. Sifting Through and Sounding Out: Creative Applications of Sounds From t...
The paper, in the international peer reviewed journal Organised Sound (CUP), documents and discusses...
An interactive evocation of Chapter Arts Centre. Be guided into past events through interwoven s...
This book chapter investigates the ways in which place and mobility have become major concerns for g...
What Lies Unspoken is a participatory sound intervention developed by Dr Temi Odumosu from the Livin...
This article is concerned with the history and practice of creating sound walks or ‘memoryscapes’: o...
The thesis explores soundwalking, memory and aural history through participatory exploration. My eth...