The recent study of political and online medievalism has placed a range of new ideas under scrutiny about the ways in which the Middle Ages (in particular) and history (as a whole) can be used outside of scholarship as powerful modes of supporting almost any given ideology. Perhaps the most powerful tool in all of this has been the rise of so-called Web 2.0 technologies, which aggregate User-Generated Content into public and social media sites. Early apologists for Web 2.0 argued that these are democratising and revolutionary technologies, which allow for an increasingly fluid and demotic mode of participatory culture. Closer scrutiny, however, suggests otherwise, noting that the structural inequalities of the internet merely replicate—or e...
Whose Middle Ages? is an interdisciplinary collection of short, accessible essays intended for the n...
The Medieval Electronic Scholarly Alliance (MESA) is a federated international community of scholar...
The article highlights the relations between Italian medieval studies and digital humanities, starti...
Habermas’ identification of a ‘public sphere’ as a democratic, open, and fundamentally participatory...
The Middle Ages, and ideas about modern culture drawn from or rooted in the medieval period, have fo...
In this paper the medieval period is used as a prism to analyze and contextualize the intersection o...
Whose Middle Ages? is an interdisciplinary collection of short, accessible essays intended for the n...
This elliptical history of digital medievalism amply demonstrates that medievalists are often early ...
Modern advocates of corporate self-regulation have drawn unlikely inspiration from the Middle Ages. ...
Whose Middle Ages? is an interdisciplinary collection of short, accessible essays intended for the n...
In 2001, George Bush provoked global uproar by describing the nascent War on Terror as a "Crusade". ...
"Medievalism - the creative interpretation or recreation of the European Middle Ages - has had a maj...
Modern advocates of corporate self-regulation have drawn unlikely inspiration from the Middle Ages. ...
Digital technologies have found a use in almost every aspect of scholarly research and communication...
Classicists have long been at the forefront of the Digital Humanities. As is also true in mediaeval ...
Whose Middle Ages? is an interdisciplinary collection of short, accessible essays intended for the n...
The Medieval Electronic Scholarly Alliance (MESA) is a federated international community of scholar...
The article highlights the relations between Italian medieval studies and digital humanities, starti...
Habermas’ identification of a ‘public sphere’ as a democratic, open, and fundamentally participatory...
The Middle Ages, and ideas about modern culture drawn from or rooted in the medieval period, have fo...
In this paper the medieval period is used as a prism to analyze and contextualize the intersection o...
Whose Middle Ages? is an interdisciplinary collection of short, accessible essays intended for the n...
This elliptical history of digital medievalism amply demonstrates that medievalists are often early ...
Modern advocates of corporate self-regulation have drawn unlikely inspiration from the Middle Ages. ...
Whose Middle Ages? is an interdisciplinary collection of short, accessible essays intended for the n...
In 2001, George Bush provoked global uproar by describing the nascent War on Terror as a "Crusade". ...
"Medievalism - the creative interpretation or recreation of the European Middle Ages - has had a maj...
Modern advocates of corporate self-regulation have drawn unlikely inspiration from the Middle Ages. ...
Digital technologies have found a use in almost every aspect of scholarly research and communication...
Classicists have long been at the forefront of the Digital Humanities. As is also true in mediaeval ...
Whose Middle Ages? is an interdisciplinary collection of short, accessible essays intended for the n...
The Medieval Electronic Scholarly Alliance (MESA) is a federated international community of scholar...
The article highlights the relations between Italian medieval studies and digital humanities, starti...