This article is written for a ‘global’ theme of British Art Newsletter. It contributes to the pieces about how British art is viewed and interpreted internationally and how definitions of ‘British art’ are being expanded and rethought in relation to globalization, migration and diaspora. It is a reflection on author's curatorial experience and trajectory, and how they view ‘British art’ as a category
Britishness conveyed through visual art suggests both a spectrum of alliance and an assumption of co...
This paper examines the virtual invisibility of colonial art in British art museums today, despite a...
Diasporic artists have become visible in small but significant numbers since the expansion in post-w...
International audienceWhile British art has often been deemed provincial when it was trying to copy ...
International audienceWhile British art has often been deemed provincial when it was trying to copy ...
'What does it mean to correlate art and art history with “nation”? At the time of publication, the f...
Does the meaning of a work of art change as it crosses a border from one place to another? Can art e...
The current interest taken in Britain by art historians and curators in the areas of World Art, cult...
London building. VO explains that new generation is influencing not just theatre but painting, scul...
Special Issue on ‘The consequences of instrumental museum and gallery policy’: The article consid...
Tate Encounters was a three-year research project funded by the Arts and Humanities Research Council...
Claims for the 'Englishness' or 'Britishness' of art are often attended by a confident appeal to the...
What does it mean to correlate art and art history with “nation”? At the time of publication, the fu...
According to many accounts, a key paradigm for understanding art in Post WWII Britain is one of Engl...
The transformation of British public space, in London in particular, has drastically reconfigured no...
Britishness conveyed through visual art suggests both a spectrum of alliance and an assumption of co...
This paper examines the virtual invisibility of colonial art in British art museums today, despite a...
Diasporic artists have become visible in small but significant numbers since the expansion in post-w...
International audienceWhile British art has often been deemed provincial when it was trying to copy ...
International audienceWhile British art has often been deemed provincial when it was trying to copy ...
'What does it mean to correlate art and art history with “nation”? At the time of publication, the f...
Does the meaning of a work of art change as it crosses a border from one place to another? Can art e...
The current interest taken in Britain by art historians and curators in the areas of World Art, cult...
London building. VO explains that new generation is influencing not just theatre but painting, scul...
Special Issue on ‘The consequences of instrumental museum and gallery policy’: The article consid...
Tate Encounters was a three-year research project funded by the Arts and Humanities Research Council...
Claims for the 'Englishness' or 'Britishness' of art are often attended by a confident appeal to the...
What does it mean to correlate art and art history with “nation”? At the time of publication, the fu...
According to many accounts, a key paradigm for understanding art in Post WWII Britain is one of Engl...
The transformation of British public space, in London in particular, has drastically reconfigured no...
Britishness conveyed through visual art suggests both a spectrum of alliance and an assumption of co...
This paper examines the virtual invisibility of colonial art in British art museums today, despite a...
Diasporic artists have become visible in small but significant numbers since the expansion in post-w...