The two authors embark on a conversation about how textiles open up space for different kinds of storytelling — understood as central to interpretive research — about violence, memory and transformation in the aftermath of armed conflict. They draw on their respective research and experiences in the context of the armed conflict and fragile peace process in Colombia, where Roxani investigates the politics and hierarchies of victimhood, and Berit is involved in a project that combines narrative practice and textile narratives into a methodology to explore former guerrilla combatants’ subjectivities and wider society’s resonances to their preferred stories. Photos of textiles and textile-making accompany their conversation.Publisher PDFPeer r...
Journalism has a long history of interviewing vulnerable people caught up in natural disasters, conf...
This contribution describes the collaborative autoethnography that emerged between Aicha, a Syrian r...
Drawing on our experience of commissioning and co-curating an exhibition of international conflict t...
The two authors embark on a conversation about how textiles open up space for different kinds of sto...
The two authors embark on a conversation about how textiles open up space for different kinds of sto...
The two authors embark on a conversation about how textiles open up space for different kinds of sto...
This intervention reflects on the opportunities for textile art, and its exhibition and making, to i...
This article introduces the Special Issue 'Unravelling the threads of war and conflict'. We offer a ...
© The author(s) 2021. This supplementary issue looks at how informal, often unrecognised, memory pra...
This supplementary issue looks at how informal, often unrecognised, memory practices are used to dea...
This article examines the analytical and political potentials of creative methods for peace research...
Here, I bring communication theories into conversation with peace and conflict scholarship. Specific...
Here, I bring communication theories into conversation with peace and conflict scholarship. Specific...
Drawing on our experience of commissioning and co-curating an exhibition of international conflict t...
The article presents the results of a theatre workshop conducted with Afro-descendant and indigenous...
Journalism has a long history of interviewing vulnerable people caught up in natural disasters, conf...
This contribution describes the collaborative autoethnography that emerged between Aicha, a Syrian r...
Drawing on our experience of commissioning and co-curating an exhibition of international conflict t...
The two authors embark on a conversation about how textiles open up space for different kinds of sto...
The two authors embark on a conversation about how textiles open up space for different kinds of sto...
The two authors embark on a conversation about how textiles open up space for different kinds of sto...
This intervention reflects on the opportunities for textile art, and its exhibition and making, to i...
This article introduces the Special Issue 'Unravelling the threads of war and conflict'. We offer a ...
© The author(s) 2021. This supplementary issue looks at how informal, often unrecognised, memory pra...
This supplementary issue looks at how informal, often unrecognised, memory practices are used to dea...
This article examines the analytical and political potentials of creative methods for peace research...
Here, I bring communication theories into conversation with peace and conflict scholarship. Specific...
Here, I bring communication theories into conversation with peace and conflict scholarship. Specific...
Drawing on our experience of commissioning and co-curating an exhibition of international conflict t...
The article presents the results of a theatre workshop conducted with Afro-descendant and indigenous...
Journalism has a long history of interviewing vulnerable people caught up in natural disasters, conf...
This contribution describes the collaborative autoethnography that emerged between Aicha, a Syrian r...
Drawing on our experience of commissioning and co-curating an exhibition of international conflict t...